My favorite is the story of Eiffel under the clown. The
short five minutes are full of brilliance. The male clown and the female clown hold hands and glide in the traffic is really beautiful. I like his attitude to life in the middle of the fairy tale. The magic of erasing sadness. I like the little boy running to Eiffel's back with a big schoolbag on his back, jumping up and down with joy.
I have always felt that the clown hides a thick loneliness behind his rich face, which is always ironic. Even if the oil mask is All that laughter brings me is sadness.
I had an epiphany when I watched that part. The best thing the movie can do for us is that it allows dreams to travel through reality.
2.
"Your feet hurt."
"Why?"
"Because at night you keep running in my dreams."
The love of black people begins before death.
3.
The soundtrack of the movie is just right, and the music is sometimes as important as the light of the camera. Several ordinary stories that take place in the city are carried out It is very warm. Encounter, parting, quarrel, understanding. Unexpected arrival and abrupt end of love are as natural as saying "hello" and "goodbye" every day. Pure dialogue, or not saying a word, urban The alternation of day and night plays out like this.
The blind boy was dumped on the phone, and the lines that the girl said in the spring, summer, autumn and winter were very dramatic and sounding. I liked
it
. On the contrary, the vampire part has a better sense of comics. I like the director's handling of blood like metal. And that boy is not the dwarf in the Lord of the Rings. The ending of eating each other is a bit unfinished. I want to see two bones The lingering to the weathered ending.
5.
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