There is a bean column called "Affection is a tragedy, and it must be read after death".
Yes, this is an atypical love drama. From the very beginning of the story, the hero and heroine are separated by heaven and man. The wife died horribly, and the husband was expressionless. The previous relationship was suspicious, and then there is no opponent, how can there be love?
Thinking that her wife doesn't love her husband, this woman who is always full of righteous indignation and makes enemies everywhere seems to be wrong with this husband who only knows how to bury his head in the relationship between flowers and plants. She seems to know more about her friends of the opposite sex.
Or maybe this husband doesn't love his wife either, he doesn't care about or agrees with what she's passionate about, she's going to be in danger and he doesn't know it. Even if he was full of doubts about whether the people around him had gone out of business, he was still expressionless.
In the process of the truth not rushing or appearing suddenly and suddenly, love can tear people's hearts with its true appearance. It turns out that she loves him so much that she would rather go to Longtan and Tiger's Den alone to protect his safety; it turns out that he loves her so much, "I'm going to go through the hardships she has suffered", "I don't have a home anymore, and Tessa is my home". For her legacy, she ran and chased the murderer, giving up everything, including her life.
A conservative and gentle man, returning to the place of his first love, suddenly burst into tears outside the cold blue glass door, the world is gone, what's the point of asking for those flowers and plants.
Ralph Fiennes did a great job. All the drama is in the eyes. Those unspeakable loves, unspeakable doubts, unspeakable pains, are all in these eyes.
So, what is love? Is there a typical love? Love made him become her, a warrior. Love, let her soul always accompany him, smiling outside the car window, snuggling to death in the sinister and beautiful African Cape.
It's also an atypical political drama. Monetary interests and political future are always the stinky drinks at the marriage banquet between officials and businessmen. We are all familiar. For those countries in the upper reaches of modernization, their capital and scenery are always based on the flesh and blood of the nations in the lower reaches of modernization. War is like this, and so is the economy. The poverty and despair in Africa has never stopped, and there is no way to stop it. Those organizations or countries that claim to support African brothers are nothing but to get a share of the pie. There is only one person who loves it. weak individual.
We're used to seeing conspiracies being announced and crushed on movies, and it's heartwarming. The protagonist returns triumphantly, and we also believe that there is a savior in this world.
No, everyone has a share in all conspiracies, and everyone has a mark of sin on their heads. Hundreds of people died, after all, hundreds of millions of people are blessed. What is good for everyone, how can it be considered a conspiracy? A conspiracy will not be sprinkled with salt and burned with fire. It has its own devil's blessing, and it has another possession and continues to do evil.
So we don't see the ultimate victory, what's the result? One of the mastermind's officials may step down, but more officials are sure to emerge. When one KDH goes bankrupt, there will be more KDHs rising up and experimenting with black African blood. Also, the protagonist died. He didn't even fight back.
Perhaps, there are no typical victories either. The word victory itself is funny.
We will cry and see the sun rise and the sun go down on this beautiful continent full of holes, people fleeing starvation, bandits, plagues, diseases, wars, colonization, struggling to escape in the wind, with no direction. Except to die.
Fortunately, death is our sentence reading, but not love's reading. It cannot take away our love for our loved ones, our love for the land, our love for life.
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