The hardships brought about by the war are more outside the war, and "Rebirth" shocked me far more than the Oscar-winning "The Hurt Locker".
On the one hand, there are officials and institutions that can accommodate stowaways, and on the other hand, there is an endless war that forces the two families to move. However, the director has no obvious political intentions in the film. At least we can see that Ramo can also send children in Istanbul. Going to the school provided by the government can make the wife go to the hospital for medical treatment. Reflecting on the two situations from the perspective of human nature inevitably involves the propositions of selfishness, tolerance, and compassion. In Ramo, the importance of the son and the body of the wife, the worldliness and the life of the younger brother are all wobbly on opposite ends of the scale. If you can't let it go, you will weigh the weight between the two that are not opposed to each other. Ramo is kind, but kindness is sometimes a breeding ground for selfishness and a narrow excuse. People who can't really understand each other's pain often fall into real pain.
The film has three chanting paragraphs: at the beginning, a girl like the sound of nature sings a tune in the open space, the voice-over makes the Apache’s platooning in the mountains as poetic as an eagle, and the music ends suddenly with the sound of dense machine guns; the son is called a terrorist. His identity was killed, and the middle-aged man sang long lamentations at night; Ramo hugged his children in his residence and sang warm nursery rhymes, while his younger brother sang softly. I don't understand the lyrics, but I only hear three melody like three sighs, singing the perverseness of life.
"Rebirth" has a stable photography style, and the composition of the group portraits is very good. Ramo heard that his son's accident was shot through the glass of the room, and his wife's helpless eyes on the hospital bed had the prospect of birds. After watching a lot of shooting without a stand and shaking pictures, "Rebirth" aroused my long-lost respect for images.
The English title of the film is translated as "I see the sun". When many original sins cannot be redeemed, the smallest desire is only the greatest extravagance.
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