This is the most talented movie I've seen in half a year. (The previous one was "Mary and Marx")
Brilliant in every way.
I was blown away by JUED LAW's good taste and serious hobby. (Trust me, it's not really because of his face)
He said he has a good looking, he doesn't need smart, funny, and hard work. And no one will currect him.
But in fact he has everything.
The film, based on the film based on the 1972 stage play, has so many perfect lines that I even had to hit the pause button as they scrambled out to get a sense of the intricate metaphors and tact.
I thought it would indulge in such wonderful lines, but these lines, like giant funnels reaching out to the sky, the delivery of which expands infinitely outward as the story progresses; they generously unleash their own charm.
The story driven by the lines is also sincerely loyal to the style of the lines, just like you don't know what they will say in the next sentence, you also don't know what they will do in the next second. And the style of the story perfectly fits the style of the theme.
You cannot know the human heart. You have no way of knowing where the bottom line is. You can't know who you are in this moment, and you can't know the next moment.
This kind of story, this kind of content, could have been boring.
But the fun and tension of the actors' performances prevented that from happening altogether.
By the second half, as the story gets more and more absurd, it's palpable that the two actors are also getting more and more excited, one visibly eager to try, the other dangerously dormant and elusive, and you can't help but look forward to them.
Because I feel like I'm about to hit the bottom line. coming soon. Just a little bit left. last step.
Then with a bang, all expectations were dashed.
I'm still thrown at the origin of the story.
Still haven't seen anything.
Still don't know anything.
The best place is here.
My favorite place is also here.
I'm used to movies from an omniscient perspective, and I'm used to the author's habit of telling you what he has to say.
This is the first time I met such an author, Chen Ken said, in fact, I don't know the author, it's hard not to be excited.
The perfect trip.
The perfect performer.
And when the journey is made possible because of one of the performers, he is no longer a superficial pawn.
That's right, JUDE LAW is the producer of this movie.
He excavated it from the pile of old papers.
He found Pinter for it.
Find the director.
Find the original cosplayer from forty years ago. (It's a pity that SWEET BOY, who played a young man 40 years ago, can only play an old man who called others SWEET BOY.)
Each of their names is loud and clear.
Then he convinced them all.
They gathered together to fulfill his hobby and fulfill his performance.
In his performance, he is moist, sweet, like a slowly melting twisted candy.
terribly sweet
so unleashed, so desperate, so letting the camera do whatever it wants.
Such a performance.
I finally realized up close that they were not just about gifted GOOD LOOKING.
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