Even in Chinese literary films like "The Good Man in Three Gorges", he still portrays a smart man, who is simple but witty. Hong Kong once, and Hollywood all the time, is good at making heroes. Especially action movies. Violent aesthetics is a type of film that many rebellious little intellectuals are obsessed with, because it can have both box office and filmological value and significance, and even accidentally become a MILEStone milestone.
The same is true of many cartoons, such as the recent "Fantastic Father Fox", which is a typical British 'communist' fairy tale writer created a civilian hero.
"Ninja Assassin" shocked me, on the one hand, because it really made me see Zheng Zhixun's heroic temperament clearly, and on the other hand because there are some clever tricks in this film, and when the clever use is good, it becomes the finishing touch . While there's a bit of contrived coincidence in places, it's not as perfect as Kill Bill and Pulp Fiction, but the cleverness masks the flaws. Classmate Yu's eyes convey a lot of emotion, and when he is silent---the killer can only be silent---giving him a lot of space to show his inner world. This is the strength of killer films, it is easy for actors to play, giving enough space for the film. Speaking of the climax of the movie--the word that always strikes me as weird now--that's at the end, after facing off against countless shadow killers, Raizo's real revenge begins, the extreme love and hate images in his eyes and The action is full, and the flames around him are the flames of love and hate, the flames that have scorched his heart over the years. And the way he killed his brother was very delicately designed, expressing the difference between revenge and previous killings. In the confrontation with Father, he had always been the underdog at first, but at this time, his intelligence and talent came into play, which is what this "father" has always been proud of. He learned quickly, At the time of death, his lover's substitute (black policewoman) appeared to save him, and was stabbed and fell down. At this time, love inspired his wisdom again. He learned the ninja's stealth magic in an instant, and finally he He quickly imitated his father's method to kill his father and completed his revenge. On the way back to the valley before, he also remembered the formula taught by his father in an instant, and we watched his wounds heal little by little, just like what his father demonstrated at the beginning. And from a psychoanalytic point of view, this is not impossible, the energy of man is infinite. Maybe one day. Raizo's intelligence lies in this moment's perception. And so did Uma Thurman who killed Billy. The unquenchable enthusiasm in his heart is accompanied by love and hatred, giving people a kind of upward encouragement, forgetting the pain and walking on. The hero inspires the audience's feelings. The film glimpses that occasionally appear in daily life may support an ordinary person to go on. There is the power of moving and the power of forbearance. I think this is the wonderful magic of the movie. . People who love movies love life.
Editing is one of the keys to a movie's success or failure. The editing of the interlude in this film is well done, and the connection is flawless. After all, Warner Bros. products are boutique. Another detail that surprised me in the movie is that it uses a BBC actor, which is very weird, but that face is American enough and Hollywood enough. This British man can be pornographic or CIA, which is rare.
The film's downfall is the choice of black actresses. It's because the celebration is too lively, and the dead Asian girl is a very suitable actor, and the inner feelings expressed by her eyes and expressions are very rich. So that the audience soon discovered that she has an unusual heart. It's a pity that black actresses...it's really a hole in the air, even if she is hoarse, she can't express any emotion. Pity.
Unexpectedly, people reviewing many times are always black and violent aesthetic films.
Like a girl like Kiriko, she is fearless and only follows her heart's wishes, and only the one she loves can touch her heart. Everything has a heart. The heart of the tree knows which way it needs to grow. I like the symbolism at the end of the film, watching Raizo cut the wire that binds the growth of the tree, just like Kiriko, watching Raizo step by step Go up the wall, climb over the cage, take the first breath of his life. Freedom is new life. Remember his last satisfied smile.
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