Somber tone, but extremely dramatic

Eileen 2022-03-23 09:02:48

It was the first time I saw Antonioni's film (probably only understood 50-60%).
Known as the greatest Italian director, Antonioni has experienced the era of Italian neorealism with Fellini, Pasolini and Visconti, and is almost the only master who survived this climax and continued to explore his own style.
"Night" is the second of the director's "Love" trilogy, about a marriage with a tragic fate. The film's calm storytelling method can not only feel the realism of realism; the profound discussion of the feelings between people also reflects a strong personal style.

"Cold" is probably the best word to describe this movie.
The shots are steady and cold, the rhythm is still and cold, and the characters are blunt and cold. However, the greatness of the master lies in the fact that under the stern coat, there is an extremely strong dramatic tension, which makes people not feel dull and sluggish, but is deeply immersed in it, eager to know how the film will develop next. The inadvertent passing of the camera, a prompting line of dialogue, and a sudden movement of a character all play such a role.

I don't quite understand this film, mainly because of its theme - the change of human emotions - I can't quite see the director's intentions, the various film expression techniques and the relationship between the two.

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Extended Reading
  • Tara 2022-03-28 09:01:08

    I especially like the rain scene in this movie. It’s a stroke of genius, and it’s a slap in the face. It’s the beauty of the breeze in the bamboo forest. I remember writing a film review when I was in college. It's very comfortable and beautiful. I saw this movie again today, and I saw her say quietly, I didn't think about anything, just waiting for an idea to come out. There were no constraints in the previous movies, and all the techniques were like the rain falling from the sky, making everything look good and sound.

  • Jadon 2022-03-25 09:01:15

    Surrounded by crowded crowds and images of standing cities, people fall into a state of troubled helplessness. Antonioni's space is full of expansion and erosion, as if the modern social situation is trying to strip people's emotions away. The dazzling modern life is to develop material enjoyment to the extreme, leaving only the desolation of the heart. This separation of spirit and flesh, the exclusion and oppression of the inner world by the outer space, form an extremely contradictory state of the characters. Antonioni's characters are always looking for something, and although the result is mostly nothing, this search emotion always spreads in the film. The answer is nonexistent. Just like the missing girlfriend in "Adventures" and Godot in "Waiting for Godot", they are all dilemmas that modern people cannot get out of.

La Notte quotes

  • Valentina Gherardini: I don't have some overpowering vocation. Besides, Mother says scribbling indoors all day ruins the complexion.

    Giovanni: It's a sin to waste such intelligence.

    Valentina Gherardini: I'm not intelligent. I have a sharp eye. That's different. Observe things is enough. I needn't write about them. Last year I went to the United States to see Julia.

    Giovanni: Who's Julia?

    Valentina Gherardini: A hurricane.

  • Valentina Gherardini: Whenever I try to communicate - love disappears.