Listen to the sonorous dialogue and self-deception soliloquy, I say, chillingly familiar, even in the exact words. I don't know if Ye Sha made a mistake or did it intentionally. In the age of automatic "beep" in the cultural world, choosing such a classic red foreign film to be the character analysis of the protagonist is an insurance and a little bit of bad water. As this film shows, a ruling class that forces everyone to only watch Shanhuyakexi's plot should be only a stone's throw away from its collapse.
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