So-called good movies, I think, first have a good story.
Then, the influence is further deepened by the acting skills of the actors.
Then again, the way the film is presented is impressive.
Finally, it's thought-provoking.
I often think that the same story is different for everyone.
I also feel that there is a gap between the screenwriter and the director themselves.
For a good story, some directors may not be able to make it perfect.
On the contrary, some stories may not be very good, but some directors can make them shine.
In other words, the leading factor in the film itself is the director.
I think the best director, I think, is able to make his own script into a commendable good movie.
"Tokyo!" is one such example.
Although it is composed of three short films, it doesn't have the grandeur of a feature film, but it's better than it is.
Although the film is short, it is as shocking as a symphony.
The first short film, "Interior Design",
includes Ryo Kase, Ayumi Ito, wife and husband Satoshi Mu, and Fumiko Fujitani, which can be described as star-studded.
In the film, a couple travels to Tokyo to stay in a friend's small apartment and start looking for a job and a new place to live.
The two went to the interview together, but the boyfriend of the art director got a job instead.
The woman had to keep looking for a house in order to leave a friend's house as soon as possible.
A girl who was told by her friend that she had no ambitions began to think about why she lived after discussing her dreams and ambitions with her boyfriend.
After her boyfriend's movie was released, the girl felt more and more useless.
My friends even criticized me at night.
When she woke up in the morning, the girl found that she had no heart. Walking down the street, her hands and feet slowly turned into the feet of a chair.
And it ended up being a chair. She was seated but found herself very useful.
The story itself is as absurd and cruel as a fairy tale.
So, in my opinion, the director's shooting technique has become the brightest.
In the film, Ryo Kase's film as the director is very artistic and quite visually impactful.
So I guess the director of this short film, Michel Gondry, should be an art major.
Shooting independent films or photographs or painters, the style is very postmodern.
The second short, "Med,"
It was shot like a horror movie and felt like Godzilla.
However, it is worth pondering, however, in the film about Dmitry's account of his origins and why he attacked Japan.
"God always puts me in the place I hate the most." The Japanese have lived too long; their eyes are like a woman's vagina; it's disgusting.
Here's the laugh of the whole short. Listen When Dmitry said this, the prosecution lawyer asked, "So you think you are very handsome?"
Dmitry said, "I don't know." If I knew, I would have said yes. I have never looked at myself. My God has no mirror.
My mother, very kind, once said, "I am a beautiful child."
The prosecution lawyer said, "That is your mother who lied to you."
My mother is a saint. You all raped her. I'm your son. " The
The script was written by director Leos Carax, so I figured this guy was thinking madness.
Such a Dmitry is not without admirers.How absurd this world is.
However, I have to admit that this movie is the ultimate expression of Japanese thinking.
My only criticism is that at the end of the film, Dmitry vanishes like a god during the hanging scene.
Although the director is talented, he is not very popular. He stifled our truth, goodness, and beauty like a murderer. The current buzzword, "otaku,"
The third short film, "Shake Tokyo," was originally popularized by "Train Man."
Japan is even at the forefront of social issues. In general, Japan is actually an insecure country.
In the film, the male protagonist stays at home all day and inadvertently makes eye contact with the girl who gave him the pizza.
and accidentally found that there were many buttons on the girl. In this way, the hero's life begins to change.
A week later, I found out that it was no longer the girl who brought pizza.
The hero learns from her father that she "doesn't want to go out anymore."
So, for the first time in so many years, I put on my shoes, stepped outside, stepped into the sun, and ran down the deserted streets to save the girl.
Bong Joon Ho can be regarded as one of the best directors in Korea.
In my opinion, his strength lies in his ability to convey warmth in his work.
Life may be miserable, life may be difficult, and society may be cruel, but as long as there is hope in our hearts, we have the power to change everything.
At the end of the short film, the male protagonist pressed the "LOVE" button on the girl's body.
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