An Aesthetic Film Linked by Depth Photos——Analysis of "Gone With the Wind"

Gerhard 2022-03-23 09:03:10

Abbas's consistent style is quiet, comfortable, fresh, elegant, rich in local scenery, and full of soulful long shots, which are integrated into the director's rich humanistic emotions. The leg bone makes people ponder, what kind of person, what kind of life did he experience, and what did he see at the end of his life? Is it pain, is it happiness, or is it unconscious, lonely and helpless at the time of dying? With an open ending, it's up to you to give yourself an answer.

Perhaps because Abbas is an Iranian director, the filming of the film was completed in 1999. Thinking that maybe the whole process of cutting the film was completed underground. In order to save costs, the light collection was completely natural light, but this It's not the shortcomings of the film. I feel that the beauty drawn from nature is the real perfection, and how long has it been since people in reality returned to it?
From the scene deployment of the film, many long shots and fixed camera positions are used to minimize scene changes, close-ups of characters, follow-up shots of a plot, shaky shots, full of sense of the scene, with life The details of the film tell the audience the characters in the film: they are simple, industrious, persistent, and free. This is a feature of Iranian films, and it is also something unique to the country of Iran. Each frame on its own can be a perfect photo.
Not to mention the documentary effect, with the camera, you unknowingly walk into the world of the protagonist, you only need to bring the questions in your mind to find your so-called answers.
The single-line narrative style allows people who watch quietly to sink their hearts, temporarily put aside the worldly vision, and examine things in the impetuous society, in the film, outside the film, and even in life, which they dare not face. .
A director once said that a good movie is one that allows people to see something genuine and simple. Yes, we have seen that on the hillside of the film, on the loess-paved paths, in the milky white buildings, in the silent cemetery, people's clothing, even their expressions, attitudes, ways of working and communicating, even if the country of Iran is far away. How far we are, how different our religious beliefs are, but we have the same heart, fear of death, yearning for a better life, complaining about the status quo, the beautiful and closed village in the film is our life It is impossible to find them, and they can only be kept secretly and carefully in the Garden of Eden in the dream.
Beauty, only beauty, the beauty of the scenery, the beauty of the people, the beauty of the sky, we seem to feel their breath and heartbeat, the appearance of a child means an extension of the life of the deceased, yes, that's why it is passed down from generation to generation Does it mean, maybe you don't want to live so deeply, in the film, you can still find your own space, living space, imagining space, free running space, those who have left you today...with the
wind What has passed is life, memory, past, history, but what is left? People are just a speck of dust in this world, what can we leave behind, the memory of others, the tears in the air on the funeral day, where will we drift to, whether it is heaven or hell, what do we want to leave behind... ...with the wind...what is it,
things are always connected in series, the end of one thing is connected with the beginning of another thing, there is no isolated work, thing.

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The Wind Will Carry Us quotes

  • Engineer: Hurry up. Get in.

    Farzad: I can't come now.

    Engineer: Why?

    Farzad: I need one more answer for the exam.

    Engineer: What is it?

    Farzad: The fourth question.

    Engineer: You don't know the answer?

    Farzad: No.

    Engineer: Why?

    Farzad: Because I don't.

    Engineer: What was it?

    Farzad: What happens to the good and the evil on Judgment day? "

    Engineer: That's obvious: the good go to Hell, and the evil go to Heaven. Is that right?

    Farzad: Yes.

    Engineer: No. the good go to Heaven, and the evil go to Hell. Hurry in and write that, then come back.

  • Engineer: But it wasn't Farhad who dug Behistun.

    Hole Digger: I know.

    Engineer: Who Then?

    Hole Digger: It was love. The love of Shirin.

    Engineer: Bravo! You must know love.

    Hole Digger: A man without love cannot live.