morning, I watched Truffaut's "Two English Girls and the Continent", in the
afternoon, I watched the 97 version of "Persuasion", and in the evening I watched "Persuasion". Summer Wars", I
watched "Late Night Cafeteria" at night.
What entered my heart was "Persuasion", and the one I was amazed at was "Summer".
I felt hungry in the middle of the night, and I couldn't bear it. It was "Late Night Cafeteria".
"Summer Wars" is the work of Mamoru Hosoda, the director of "The Girl Who Leapt Through Time" in 2006.
This one isn't as good as the previous one, but it's still pretty good.
Where is the good? I think it's a connection between two completely different types of stories.
A boy, following the girl he likes, goes to her hometown to celebrate the birthday of a 90-year-old grandmother, pretending to be her boyfriend, and
discovers that this family is an ancient family of warriors, inheriting the ancient honor and spirit, like living in ancient times, four the same world.
This is a literary story.
At that time, the online world and the real world were fully connected. An artificial intelligence robot stole more than 400 million accounts,
tampered with GPRS, and directed Japanese satellites to nuclear power plants, which was about to destroy the earth. The boy led the family to save the earth.
This is a commercial story.
Amazingly, Mamoru Hosoda succeeded in docking like this.
He gives a literary film strong rhythm and motivation, and a commercial film with beautiful texture and feelings.
Looking at the two stories separately, they are not outstanding, but when they are connected together, it is refreshing.
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