Almodóvar's work is always centered on poignant love, between the same sex, between the opposite sex, the usual passion, sex, life and death. . . His timely background music, color contrast, and zoom close-ups made me feel the inner world of the characters in the story delicately and truly, making me cry and sigh for them easily. . .
Mateo carefully kissed the large bruise on Lena's thigh. This bruise was caused by Lena's old lover pushing her down the stairs out of jealousy. At this moment, I felt Mateo's heartache and pity, and the tears could not stop; Lena affectionately Staring at Mateo who was having sex with her, his eyes were full of deep love, I was moved as if I had lived like this before; the last thing Lena tasted before she died was the taste of her lover's lips, this is Diego for Mateo After watching the video of the car accident 14 years ago, I concluded. . .
The story of Mateo, Lena, Judit and Ernesto Martel is a complicated and crazy love story. The film is a touching story of fate, jealousy, abuse of power, betrayal and crime. Hundreds of shredded photos of these two lovers embracing staggeredly became the most poignant images in memory. . . .
Almodóvar loves movies, and the last line represents his and Mateo's aspirations: "Make a movie, not for public release, the most important thing is to really complete it, whether (the director) is blind or not..."
Meaningful. . . . . . .
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