Of course, Zhou Jie's crash has nothing to do with the movie "God Save Bobby", I just want to use it here to talk about the "intimate" relationship between suicide and forgiveness, and at the same time, I want to win applause for those who are struggling to survive." If you are not afraid of death, are you still afraid of living?" Indeed, but sometimes, living is much harder than dying. So, speaking of this, let’s speak out loudly. It’s really not easy for people to live, so if you think about everything from one’s perspective, you won’t hurt innocent people, and you won’t let yourself be blamed. The most important thing is that good people will be good. newspaper.
Watching "God Save Bobby" also reminded me of a domestic version of a real story with a similar plot. A few years ago, I watched an interview show on Phoenix Satellite TV, interviewing the father of a gay man in a northern city in the mainland. Like this drama, he has gone through hardships. The process of recognition and acceptance is just more fortunate than Bobby in China, and finally got the understanding of the family, and may also live a relatively happy life, the follow-up is unknown.
I don't want to talk about gay sex, because I don't know anything about it, and I have never been in contact with such groups. All the information comes from the outside world. And about this drama, what I want to talk about is also a superficial viewing experience.
Nothing more than regret and sympathy, and of course a trace of doubt. People's rebellious psychology is immeasurably powerful. The elderly, adults, and children all have the rebellious psychology of "don't let it go, but want it", unless there is a time-tested truth there, or you understand it yourself. Therefore, guidance is always more effective than pressure, and if you analyze it calmly from an equal perspective, you will find the real answer. Of course, for some groups that need to be recognized, their public image is also extremely important. In fact, when it comes to image, it exists in every aspect of everyone. To be trusted and recognized, we must make a gesture that can be trusted. In short, there is the possibility of a stinky fish and a pot of soup, and then implicated in everything, and it has become the target of public criticism.
Once Laomei’s educational films involve criss-crossing social issues, they will always turn to religion and do the final redemption. This film is no exception, thinking that it will confront Christ in a more profound way, but it turns out that Mary (Bobby’s mother) Having assumed all the responsibilities, even if there is a momentary crusade, it will end.
Of course, I understand this kind of catering to the big American family. It takes time and a price to shake something deeply ingrained, but they can actually look far and wide. In fact, the issue of homosexuality is not only in countries that are condemned by religions, but also in Any country exists, so objectively speaking, the solution to the problem needs to find a prescription from a deeper level.
In this film, Mary, as a typical mother of this type, has an extremely well-characterized character in the play. From the paranoid sustenance of religious salvation, to the trance and contradiction shown by subverting beliefs, to the positive attitude of stepping back and trying to understand the problem, to the final liberation and having to fight for another kind of survival, all are refining life and cohesion wonderful. Of course, the family's performance is vivid and realistic.
It seems to me that this is a real feeling, and there are not too many details about the plot of the movie. But for those who are interested in this film, it is still worth watching. The film can feel sincerity everywhere, and the story is told smoothly and naturally. What is rare is that this kind of heavy and sadness is thrown into the middle of the film, and it is a mature and profound way to find the crux of the film and think about life as the climax of the film.
After reading it, you can think about it.
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