The concert hall is a dead place

Evert 2022-09-29 06:11:17



When I was writing in the tea restaurant, I met him again, sitting alone in a corner, never without company.

He often speaks into the air -- it should be said that he is talking to someone we can't see. There are times when I was sitting in the booth behind him, and when I was writing a manuscript, I tried to listen to what he was saying. Sometimes he argues with the "object", and sometimes he persuades him with all his heart; everyone in the restaurant is accustomed to his excitement or lamentation, and no one disturbs his self-world.

In the worldly view, this person is a "crazy line", but no one can understand the relationship between him and this voice. In "The Soloist," Jamie Foxx plays Nathaniel, a mentally ill street sleeper, who was originally talented in music and was once a student at a top music school who was good at playing the cello. His mental deficiencies caused him to drop out of school and encounter difficulties.

Nathaniel plays a broken violin with only two strings left on the side of the road, attracting the attention of Steve, a newspaper reporter played by Robert Downey Jr., who writes the story of this talented musician in a column, attracting widespread attention and helping He got out of trouble and returned to normal life.

Steve contacted the social worker to find a shelter for him, persuaded him to receive psychiatric treatment, and also begged the music school teachers to provide him with an environment to study music and hold a concert for him.

During the concert, Nathaniel had a sudden nervous breakdown and fled the concert hall in a frenzy. He thinks that is the most suitable way of life. He needs to live with auditory hallucinations, and that "voice" is comforting him. Taking drugs to make the voice disappear, he suddenly loses his spiritual support.

Nathaniel believes that a noisy environment is a good place to play music on a busy road, with notes and noises in harmonious dialogue, and a concert hall is a dead ghost place.

Sometimes we want others to lead a "normal" life, but we push them down the abyss. I remember being fired by the company more than ten years ago on the eve of the vacation, boarding the plane with a letter of dismissal, and starting a trip without a return date, still full of hatred in my heart, sitting in a dark plane cabin, my ears temporarily inaudible due to air pressure problems , When I fell into a deep sleep, I heard a voice from the bottom of my heart, that voice told me to slow down, to let me down, not to fight for fame and fortune, and not to harbor hatred.

More than ten years later, I can no longer hear that voice, but I stick to the principle of "slowness" - just because my body is too fat, I walk naturally slowly.

View more about The Soloist reviews

Extended Reading

The Soloist quotes

  • [last lines]

    Steve Lopez: "Points West" by Steve Lopez. A year ago, I met a man who was down on his luck and thought I might be able to help him. I don't know that I have. Yes, my friend Mr. Ayers now sleeps inside. He has a key. He has a bed. But his mental state and his well-being, are as precarious now as they were the day we met. There are people who tell me I've helped him. Mental health experts who say that the simple act of being someone's friend can change his brain chemistry, improve his functioning in the world. I can't speak for Mr. Ayers in that regard. Maybe our friendship has helped him. But maybe not. I can, however, speak for myself. I can tell you that by witnessing Mr. Ayers's courage, his humility, his faith in the power of his art, I've learned the dignity of being loyal to something you believe in, of holding onto it. Above all else, of believing, without question, that it will carry you home.

  • [first lines]

    Construction Worker: [greeting his co-workers] Buen dia, muchachos.

    Steve Lopez: [narrating] "Points West" by Steve Lopez. A construction worker in Griffith Park heard the

    Steve Lopez: [swerving his bicycle to avoid a raccoon] Hey!

    Steve Lopez: [continuing narration] He saw a cyclist cartwheel off his bike and slam face-first into the unforgiving asphalt of Riverside Drive.