the error of comedy performance is about comedy.
There are two types of comedies in film and television, dramas and comedies. How should they be positioned? For example, most of Mr. Bean and Stephen Chow's works can be regarded as comedies, and the recent "Night Club" can be regarded as comedy. . In terms of drama, it is a joke that uses exaggerated performances, stories, actions, and plots, while a humorous drama is a joke that erupts under a certain environment, character characteristics, and normal logic, which may require a lot of foreshadowing as a foundation. . As for the film "School Flower I Love You", it is completely out of the position of comedy. As far as comedy dramas are concerned, this film does not have a certain logic for the production of jokes in it. It is completely made out of random jokes, so it is not a drama, because as far as Zhou Xingchi is concerned, his jokes have some basis at least. For example, a character, a story, or an advertisement has the basis of a prototype. And Mr. Hantou at least has his own unique action performance, and the event is laid in it, so "School Flower I Love You" is completely out of the meaning of comedy, it is a bad work, and it even makes Hayden Panettiere and The male protagonist cooperates and is very angry.
——The grasp of literary drama is too hasty
. In terms of positioning, "School Flower I Love You" has been designated as a romantic comedy by merchants. In this case, literary drama should have a certain proportion, but this movie is entirely on literary drama, that is, there is not much in the inner drama. Great performance, yes! It is also a flash, such as Hayden Panettiere's eyes and smiles, and relying on these to express the inner development of the characters may not have happened, but the development is a bit too fast, I have never seen any advantages of the male protagonist , but it can be a little weird. In addition, in the introduction of the film, Hayden Panettiere already has a boyfriend, so it may take a while for him to change, or to make the change with the help of the background of some specific events, even if it is not the case, there should be a transition. Process. At the end of the film, the director seemed to be aware of this problem and dealt with it at the end. The hero and heroine were only in love, but Hayden Panettiere's tears seemed to act as partings of life and death. Omg! The essence of the romantic drama is used vividly by the director, but the performance is not necessarily far-fetched, which makes people feel full of falsehood.
My conclusion for the whole film is: it's just a failure under the guise of a genuine brand.
View more about I Love You, Beth Cooper reviews