Compared with "The Elephant" and "Psychedelic Park", the film does not care much about the performance of adolescence.
Of course, after watching it, you can find that this film is not intended to express the hesitant and neurotic connotations of adolescent children, but to a greater extent to criticize the harshness and unreasonableness of families and parents, and to obliterate the emotions and vitality of teenagers.
The estrangement between children and parents exists in everyone to some extent.
Maybe you've grown up and been able to face it and deal with it.
Maybe you are still struggling and resisting in this pain, and tell you over and over again in your heart that one day you will be able to escape it forever.
Maybe you have been domesticated in bits and pieces, listen to your elders, and follow the set route. You know this is for your own good, and you are not willing to resist any more.
Maybe you're too old to go through so much that you forget it, or you no longer care about the small struggles and longings of your youth.
There are various possibilities.
After all, you ended up stomping it under your feet and surviving.
Grandma Peach Blossom said, ""Parents are always a hurdle you can't overcome during your adolescence. "
After watching this film, I would like to say that in an imprisoned family like Lisbon (despite the love of parents, but full of incomprehension, dictatorship, own incompetence, fear of children facing society, parents are like children playing with their hands) Like a worm inside, holding the children firmly in the palm of the hand), it is almost more terrifying than a broken family and a violent family, at least the latter are relatively free, and it is possible to obtain warmth and love from places outside the family, and deviance is also a part of growing up. One way, at least better than being isolated from the world.
Suicide is one way to escape the Tathagata's palm, but it's not the only way.
The mistake that most parents often make is that they pay attention to the food and clothing of their children every second, but turn a blind eye to the pale, trancey soul, too rough, or unable to enter their hearts.
The one that distressed me the most in the film was Cecilia, when the doctor sighed with pity: "You have come here without the world." There was no self-pity on her tender face, and she said indifferently: Obviously, Doctor, you have never been a 13-year-old girl. "
In each person's own world, there is no such thing as a problem size, we all face the hardships and twists of our lives with equal weight, and a girl who loses a rag doll experiences no more grief than finding her fiancé running away at a wedding. The bride is bigger.
I've always felt that someone who hasn't experienced the struggles and pains of adolescence doesn't have enough depth.
If you grew up carefree and happy as a child (I mean spiritually), then Congratulations, all you can see is the trickling stream in front of your house, not the sea.
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