You're right, why do you have to start over, Reivew on Tokyo Sonata

It is said that Kurosawa is a master at making cult films. At first, he liked "Bright Future", which was somewhat eerie and elegant. He also knew that realistic themes like "Sonata" had to give up too dramatic elements. A family of four, the lives of each family member are interspersed in parallel, and the paragraphs are narrated in a subtle and concise way. So the embarrassed face of the unemployed husband, just about to raise his voice and sing to get a job, turns to the next scene. If you want to make a film of life, you have to be restrained and forbear like life.
The most wonderful place is that the couple met in a shopping mall. One of them picked up a lot of money while washing the toilet as a cleaner, and the other went out to buy things as a hostage. Can't imagine what they will say, the husband is like a ghost, and the wife steps on the spindle of her husband's self-esteem again.
That kidnapping went off the line a bit. Can it be seen as a spiritual escape after the wife has been squeezed for a long time? When the wife and the robber went to the beach, they couldn't help the situation and the scene completely collapsed. The front of Dafa was a block in the chest, whether it was water or land. But so weak. Although the wife is the key character of the director, I am more able to accept my husband who never really vented his pain except for the part where he ran from the mall. The eldest son was too thin and turned into a vase, and all the bright spots were taken away by the younger son.
Why is this movie still so hot?

View more about Tokyo Sonata reviews

Tokyo Sonata pictures