So I ran back before I finished writing the thesis. In fact, I found out that something was wrong. When my emotions reappeared later, I would blame my husband for not accompanying them that summer. Hold tight to yourself, or stop the original behavior, even if it is impossible, you will need relief, and you can't wait to have the strength to pull yourself back and start over again.
The psychology of dealing with death is completely different from before, and it is also a revelation obtained in Eden. Fear and tension are greater than the pain of losing a child. It is just borrowing this thing to replay what was found in Eden. At first, I thought I was deeply in love with Eden, but the environment stimulated a psychology that I had never known for so many years (even if it was cruel, the film just used this expression to achieve a more distinct effect).
The husband's treatment of his fears, when placed in that environment again, began to become unavoidable. If he had to continue, the results would be seen later. What I wanted to hide was not relieved, but burst out like crazy. When the husband appeared in the attic to find the papers and the pictures of the children, he finally got a connection with the scene that appeared earlier.
No matter how slow the progress of the previous two paragraphs, their actual significance is greater than the last intense, the plot changes too fast, such a strong contrast, has long been paved in the slow progress.
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