Natalie's films that I don't quite agree with

Amiya 2022-03-22 09:02:53

I didn't read it carefully, and superficially said that I couldn't get used to Natalie Portman's later appearance. I was not used to it, because her beauty was so deep and indelible in my heart. Goya only acts as a clue in the film, Goya's Ghosts, unable to understand such a title and theme. I'm also not used to stories based on strong historical backgrounds, which make me unpredictably depressed, especially religion and revolution. There are many reasons for not being used to it. Watching movies is also habitual. If you are not used to it, you cannot like it. Recently, I always watch some movies that lack life, and whether it is dull or bright, the inherent vitality is always what we have been pursuing.

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Extended Reading
  • Reginald 2022-03-25 09:01:22

    Goya's presence from the beginning to the night is very low, and there is almost no description, but the image of the cold-faced cultivator is portrayed as an entry-level three-point. In my opinion, this film should be called the cold-faced cultivator Lorenzo. Only a few famous paintings interspersed in between made people a little excited to watch. Spanish stories are so awkward in English

  • Michele 2022-03-28 09:01:13

    After being reminded, I noticed that Ghosts is plural, and the spirits of Goya are actually the souls written by Goya. At the end of the film, I realize that this is not a biographical film of Goya. Criticizing the hypocrisy of the church is the main theme, but the whole is still too superficial.

Goya's Ghosts quotes

  • Tomás Bilbatúa: [reading from a freshly prepared document] I, Lorenzo Casamares, hereby confess, that contrary to my human appearance, I am in fact, the bastard son of a chimpanzee and an orangutan, and I have schemed to join the church, in order to do harm to the holy office.

    Tomás Bilbatúa: [places the parchment and quill in front of Lorenzo, then sits down] Sign it.

  • Inés: [model pointing at defaced portrait] Why doesn't that painting have a face?

    Goya: Because he is a ghost.

    Inés: No, he is not.

    Goya: Have you ever seen a ghost?

    Inés: No. But I have seen a witch.

    Goya: Oh, did you?

    Inés: Yes, but she had a face.

    Goya: So what did she look like?

    Inés: She was... all bent and creepy, and she...

    [whispers:]

    Inés: stank.

    [makes disparaging sound]

    Goya: That's interesting, because the witch that I know, she's... she's young, very lovely, and she smells of jasmine.

    Inés: [smiles] She does?

    Goya: She does. And I'm working on her portrait... right now.

    Inés: [smiles as it dawns on her what he means] I'm no witch!

    Goya: [chuckles] How do you know?