View more about Goya's Ghosts reviews
Natalie's films that I don't quite agree with
Amiya 2022-03-22 09:02:53
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Reginald 2022-03-25 09:01:22
Goya's presence from the beginning to the night is very low, and there is almost no description, but the image of the cold-faced cultivator is portrayed as an entry-level three-point. In my opinion, this film should be called the cold-faced cultivator Lorenzo. Only a few famous paintings interspersed in between made people a little excited to watch. Spanish stories are so awkward in English
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Michele 2022-03-28 09:01:13
After being reminded, I noticed that Ghosts is plural, and the spirits of Goya are actually the souls written by Goya. At the end of the film, I realize that this is not a biographical film of Goya. Criticizing the hypocrisy of the church is the main theme, but the whole is still too superficial.
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Tomás Bilbatúa: [reading from a freshly prepared document] I, Lorenzo Casamares, hereby confess, that contrary to my human appearance, I am in fact, the bastard son of a chimpanzee and an orangutan, and I have schemed to join the church, in order to do harm to the holy office.
Tomás Bilbatúa: [places the parchment and quill in front of Lorenzo, then sits down] Sign it.
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Inés: [model pointing at defaced portrait] Why doesn't that painting have a face?
Goya: Because he is a ghost.
Inés: No, he is not.
Goya: Have you ever seen a ghost?
Inés: No. But I have seen a witch.
Goya: Oh, did you?
Inés: Yes, but she had a face.
Goya: So what did she look like?
Inés: She was... all bent and creepy, and she...
[whispers:]
Inés: stank.
[makes disparaging sound]
Goya: That's interesting, because the witch that I know, she's... she's young, very lovely, and she smells of jasmine.
Inés: [smiles] She does?
Goya: She does. And I'm working on her portrait... right now.
Inés: [smiles as it dawns on her what he means] I'm no witch!
Goya: [chuckles] How do you know?