The conversation is so wonderful. It's amazing that the conversation in the everyday style, without being abrupt, long-winded and trivial has a reputation for simplicity.
I think this movie is the most radical departure from the American theme I've ever seen in an American movie. I don't know if Jiamusu has studied the theory of Zhuangzi, this film is close to Taoism. It seems to go beyond Taoism. Taoism's understanding of man and nature, such as "Zhuangzi", tends to be beautiful and smooth. In the end, it is still subjective consciousness, focusing on the description of the ideal state. This film follows the objective, pure objectivity, and there is nothing worth beautifying and uglifying. of. The psychology or inner world of the characters is even mutilated, they are essentially the same as trees, rivers, guns.
It could be a Western. On the way to the west on the train at the beginning of the movie, we found that the passengers in the car became more and more ugly, dirty and uneducated, and the scenery outside the window became more and more desolate and sinister. The grotesque cowboys stand up and shoot the bison out of the window. It's a stroke of genius, and it's very humorous.
I thought of one thing. Do you know why the conductor at the train station locks the toilet? I have never thought about this issue before. Rules, who would think about the rules made by the state. Only later did I understand. I got off the bus at a very small station and tried to get some air, and by the way, I bought the rice that the locals used in the pots (it is indeed a tile, it will break when you break it, it is estimated that the locals used the soil to bake it themselves) to eat. Then I found a lot of feces on the empty rails on the platform. When the wind blew, the smell of feces and the toilet paper floated to the platform. I even saw a sanitary napkin that made a profit and wanted to float. In other words, a train that just passed forgot to lock the toilet.
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