there is a type of movie, you watch and watch, the more you watch, the thicker you watch, every time you watch it, there is a little bit of it. Brain cells die in battle, but after a while, you will turn it over and read it again, and even think: 5 years, 10 years later, I will watch this again, and I don’t know how different I will feel. But this kind of film is usually very long, you will give it 3 hours, 3 hours of life to be tortured;
there is a type of film that uses the advantages of the screen to the extreme, it can use photography and music. you love it. . .
The Dreamers undoubtedly falls into each of these categories.
More rewarding, if you're a movie lover, even if you haven't seen those old movies, the way they're edited and arranged in The Dreamers will make your blood boil.
Compared with the name The Dreamer, its other name, Innocents, I like it more. Part of the story is like a slice of innocence, passion and growth in a Garden of Eden.
The second half of the movie is more and more exciting, and after all kinds of weirdness, you get closer and closer to touching its core.
The color of the film is really beautiful, the red and green tones, old and passionate. And those props, why do they feel that way.
One of my favorite shots is the scene of the three in the bathtub, not a single one is missing from any angle.
The other is the mirror when Matthew entered the bathroom for the first time. It just reflected the lattice floor on the wall. It was very special.
Perhaps a dream would have such a wonderful scene.
The three children are beautiful, especially Louis Garrel, the actor of Theo, who is impeccable in appearance and temperament, as well as a family of directors, fathers, mothers, and grandfathers.
By the way, the story is actually about freedom.
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