Nothing is known

Christelle 2022-09-15 05:43:44

You want the most magnificent, so all are presented. You brought in ABCDEFG to interpret this drama. There are no protagonists and no supporting roles. After a long time, you found that this should not be just a set story, you have to be real and real, so in order to present the real ABCDEFG, you brought in their real life, those who have something to do with their real life. People who meet, so have HIJKLMN. Finally, as a director, you can't hold it anymore. When everything is so real and shocking, you say to yourself, you should also appear in this play. So when you go from one end of the theater to the other end of the theater as a director, you are not only accompanied by your assistants but also your shadows, the guys who interpret your life. It seems like a bottomless pit, sure enough, in the end, you create a D version of the city, and it's many, many years after the rehearsal started...

Most of the actors died, and in the theater, in this comical way, it felt like it was in real life The life itself that can be obtained, in the process of waiting for the release of this big drama for decades, was thrown into the cemetery one after another mercilessly. The rest chose to leave, presumably having found the answer to the most magnificent show...or just lost their patience. At the end of the story, or at the end of your life, do you really know what you want? No one knows, because when you lean on the shoulders of the woman who makes you not alone and say, "I know how to do this play now, I have an idea, I think if everyone..." And then A white light and the line "die" that Millison designed for you, the director of the drama in this show... Do you know, I don't know, and I don't care, because I've seen amazing people who cover their mouths with their hands everything.

It's funny to say. When I first saw this film, I thought it was to express a miniature version of a life joke, but I was in the mood of watching the whole movie for an hour or so. I even wanted to enrich my opinion. And I imagined a lot of footnotes, but they were naturally discarded later. It should be said that they were swept out of my mind very smoothly, and a sentence emerged.

It is Zhang Dachun's sentence in "The Novel of the Barnyard" : " Those
who write things, especially artists, should honestly show that, as Socrates and Voltaire said: nothing in the world can be known."

One sentence is Kant's
"man is an end, not a tool"

These two sentences can be used as my waterless full version of the film review~

I saw someone write in a one-sentence short review, "If it is text, it may be better than video and audio." I can't guess, but there will be a kind of deep-rooted, in specific In front of life, all words are just pale.

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Extended Reading

Synecdoche, New York quotes

  • Sammy Barnathan: I've watched you forever, Caden, but you've never really looked at anyone other than yourself. So watch me. Watch my heart break. Watch me jump. Watch me learn that after death there's nothing. There's no more watching. There's no more following. No love. Say goodbye to Hazel for me. And say it to yourself, too. None of us has much time.

  • [over radio]

    Millicent Weems: What was once before you - an exciting, mysterious future - is now behind you. Lived; understood; disappointing. You realize you are not special. You have struggled into existence, and are now slipping silently out of it. This is everyone's experience. Every single one. The specifics hardly matter. Everyone's everyone. So you are Adele, Hazel, Claire, Olive. You are Ellen. All her meager sadnesses are yours; all her loneliness; the gray, straw-like hair; her red raw hands. It's yours. It is time for you to understand this.

    Millicent Weems: Walk.

    Millicent Weems: As the people who adore you stop adoring you; as they die; as they move on; as you shed them; as you shed your beauty; your youth; as the world forgets you; as you recognize your transience; as you begin to lose your characteristics one by one; as you learn there is no-one watching you, and there never was, you think only about driving - not coming from any place; not arriving any place. Just driving, counting off time. Now you are here, at 7:43. Now you are here, at 7:44. Now you are...

    Millicent Weems: Gone.