Ada didn't eat all the food in one go after hearing Alper's abrupt breakup like last time when she was angry in her small shop (you know Ada is a girl with a good appetite). He didn't even throw water/coffee on his face. Before he slammed the door, he thought that it was wrong, it wasn't his style, and he turned back and gave Alper a slap in the face.
The director of similar comparison has also made a foreshadowing, do you still remember the first night of the two? Ada's cheeks flushed and she was hugged by the beast Alper. Just as she was about to get out and slam the door, she turned back and offered a passionate tongue kiss for nearly 10 seconds. At this time, Alper's lust was ignited again, and when Ada broke free again, Alper was already lustful, so much so that he ejaculated prematurely. (The director really does not give face to the male protagonist. Of course, if you are careful, you will find that this is also a foreshadowing.) Time fast forward to the last climax of the last scene. After a big turn, they finally waited for each other's long-lost hug. What can be more heartbreaking than entanglement in this world, alas, who asked the director to arrange for the two of them not to hug and say goodbye and say goodbye with blessings. From this point of view, the director's delicacy in figuring out and arranging fate, and the plot arrangement can be compared with God. (Forgive me for describing my love for this film like that.)
As if the story is about to end, the two are going to live unrelated lives again. However, the two separations clearly told the audience that they would meet again. At the same time, the changes in the attitudes and people of the two also tell the audience that their past is very meaningful. However, when both of them realized the importance of each other, the story was almost over. When the love between men and women has sublimated to the level of love, there is no reason to talk about it, so the director took it coldly and used the hand of God to tear off the reunion of the two again, even though the hero and heroine looked so reluctant.
Recall that when Ada was pulled to the point where her scalp became numb, she did not give up, but instead rode on it, and then the camera turned to Alper's face full of climaxes. If you don't believe me, one is that I love you, and the other is that I only eat salad." Of course, it can't be said that this is a bad thing. What's more saucy is that love seems to be born to be the enemy of sex, and love feature films must also follow this universal principle. When Apler sneaks home like a cat late at night, he tells a lie he can't explain, which forms the central paradox of the story.
Ada did not explain whether she had been stimulated before, but according to the strength of her pouring coffee, she was extremely disgusted with the feeling of being fooled. On the contrary, Alper's thick skin gave her the step down, telling her that he actually knew her and didn't care about the savage girlfriend at all. Oops, how did he know that Ada had changed after the relationship was established. Poor Alper couldn't stand such stimulation. He thought it was a delicious meal, but he didn't expect a chef to come with it. Tragedy. But the stoic Alper admits it, because he's sure this is the love he's been looking for. At this time, this buddy must be thinking, "Men love because of sex, and women have sex because of love", which is quite reliable.
Alper slipped out in the middle of the night not because he was born to do it. In fact, the director did not arrange extra bed scenes, but arranged two single shots for Alper, a man who was careful (picking up TT under the bed), which undoubtedly gave the male protagonist silence. Personality with room for extension. Yes, to a certain extent, Alper is quite wretched, but since he has put his heart on the scale of love, his re-examination of his own behavior has already shown that his love still has weight, more importantly. Not to mention later changes. I feel like the director has been glorifying Alper and seems to be telling a story about a boy coming of age. You know, children will not give up what they love.
Ada has always played an active role and is empathetic. She is a good listener, willing to discover stories in stories, and has an independent personality that is constantly enriched. She's a tulip-like figure, budding and charming. She would use super explosive ML tricks to make Alper's scalp numb, not knowing what she was talking about, and when she was angry, she would cry incoherently like a little girl and pierce Alper's fragile heart. "Bachelor's men's magazine" doesn't exist, but it makes Alper cute (down). The little girl's pure fantasy, emotionally unstable from time to time, falls in love immediately after being loved, and can imagine how funny it would be if Alper asked Ada for forgiveness for her past behavior. It's not hard to explain why Apler finally dropped that sentence, because it was the least injured result for Ada. Ada will one day understand why Alper can't answer her doubts, but she takes a shoutcut, which is to get married.
Can getting married really give you psychological comfort? Or is it safe to be alone? I don't understand why the director arranges so many contrasts and metaphors. Could it be Shakespeare's soul possessed? For this textbook-like work, in addition to agreeing with the delicacy and simplicity of the film, I was moved, and I had no interest in Turkey, so I had nothing else to read after watching it. Still a little disappointed, the film was raised very high in the acquiescence, but could not give a decent ending. Everyone needs entertainment, and I also need to be happy. The lack of creativity at the end made me depressed. In return, this Shanghai Film Festival entry film will not give high marks.
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