I like the layout of this scene. The British one is my long-term preference for
this film and the French film, perfume, which has a similar conception and
logic, and it is a plot that I like very much ( Well, it's more logical to shoot without perfume.)
The women in the show are all the same, confused by a bunch of grapes or a glass of wine, got into a damn carriage, and finally dissected by
Inspector Abberline .
He understands that the five-pointed star is A symbol of Freemasonry, and also knowing that the Royal Physician, who he had come to think was kind, was actually the culprit! This man would kill all the prostitutes present at the wedding in order to protect the royal family and the syphilis-infected prince... Himself He thought that he could go to heaven and get the praise of the gods. Everything was an illusion, and he finally died in prison.
He thought it was an evil prostitute who married the prince, which caused the prince to contract syphilis. It happened, so he said that he was the woman who "bred the 20th century",
Mary
, the surviving woman, because she finally changed clothes with her friend, escaped from the evil city,
and finally brought her friend's daughter Alice to her hometown to wait for the detective. The detective came
to protect them, of course, he chose not to find
the last of them to die alone, and the friend still used two copper plates to guard his eyes, so that he would not be a ghost wandering between Yin and Yang (this action at that time, The detective is also used on the dead body of a prostitute.)
Since it is a mystery film, it should emphasize the plot of the reasoning. The only thing
that left an impression on me in this plot
is that the
detective's boss initially thought that most of the killing methods were butchers or Tailors, or Jews, but through on-site forensics, detectives discovered the roots left by the grapes after eating, and the grapes were an important clue.
My personal opinion is that the play only explained that grapes were very rare food at that time, that is to say, only aristocrats were generally able to buy them, so I wonder if the screenwriter had explained this matter in the first half hour and the royal family. Second
, when the detective says that well-educated people cannot be ruled out, does it just rely on the "Jewish" spelling method? Why did the murderer ask the servant to give him a white chalk pin at the scene? It is clear that he wants to reveal his identity Is it?
All of the above are a bit far-fetched. In the
end, I think it's because my understanding is absolutely shallow.
Why should I dig out the heart of the last prostitute, and then talk about the redemption of the dog P, although it is completed in the interspersed by servants
I don't understand that the final purpose is to stand out. He, a murderer
, also has his own difficulties. I want to say that the worst thing There is no purpose for others, and people who have no purpose will not kill? (Murder must have a motive!!!)
View more about From Hell reviews
