In fact, it can be seen from just a few dinner shots that they are a family, but they are very cautious and cautious. It is probably related to the overall quality and education of this nation. We are unlikely to see them indulge in public places. On the one hand - unless you go crazy, or crash.
A lot of people got Oscar's "The Undertaker" compared to this film, and it's hard for me to find what they have in common.
If "The Undertaker" shows warmth, emotion, and great respect for life, then the dull and incomparable first half of the story is boundless depression and depression. Not even a breath of hope.
In the second half of the plot, the plot took a sharp turn, and the conflict was not only obvious, but also a little bit artificial. In presumably the famous thriller director's first return to family themes and realism, some dramatic scenes are still needed to end the conflict.
And at the end of Kenji's "Moonlight", it is more like a metaphor that the whole family is struggling and helpless, and finally found a temporary compromise and harmony.
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