Xiao kill, Reivew on The Spy Who Came in from the Cold

Director: A director is measured by whether his works are integrated. "Xiao Sha" is a term we often use to describe such classic films. I often wonder how a film can be controlled by a director to the level of "Xiao Sha". It's a black and white picture, an elegant composition, maybe the performance of the actors in place. . . . . . How many techniques you look familiar to you, when you think about it, co-authoring was left behind in the 1960s.

Editor: It's not so much a spy movie, I think it's a love movie. It allows you to see the real side of 007s, I even think this is more romantic and pure than any Love Story. Book of classic bestsellers. It's a shame to not know how many of our own best-selling novels are worthy of a screen when you see so many great films based on best-selling literature or cartoons.

Actor: Ah, those characters one by one, every look in Burton's eyes, every single march on a cold street or a damp and dark frontier of a war zone...until the lights go out bit by bit at the end!

Recently, I have been immersed in the Black milk of MASSIVE ATTACK and can't extricate myself. When I happened to watch this movie, I felt that the atmosphere was very suitable, so I arbitrarily suggested that the video repaired by Standard Company should be cut seven and eight, matched with Black milk, and made a " "Spy Edition" MV:
http://www.youtube.com/watch?v=NdpfrKLH-iA

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