to connect this fragmented story. It
is a multi-line fragmented past and present parallel structure
. I read the screenwriter, Guillermo Arriaga, well, I don't have to worry
about it. The girl Malena found that her mother and a man were cheating on the abandoned carriage.
The innocent girl couldn't get over this hurdle. She stayed away from her mother and even put gas in the man's house,
but the gas detonated the oil drums around it, causing a big explosion, killing the mother during sex She and her lover lost their mother, and the children of the other family lost their fathers. The two families could n't
forgive each other at the funeral,
but she fell in love with the other's boy Santiago.
The more the two fell in love with each other, and soon had a child,
they couldn't get over the hurdle in their hearts. After giving birth to the child, they left.
This is the sequence clue of the story, but the actual presentation is this: the
grown-up Malena has never been Love, love indiscriminately, exile myself
in the entanglement of two men and get into a stranger's car
and this stranger is the one who brought her abandoned daughter to her
because the little girl's father Santiago planted seeds on the plane Shi crashed and was hospitalized,
and then began to bring out the history little by little. Telling the story of the previous bombing, it was the paragraph
of Malena and her mother. Now, Malena and her daughter are slowly approaching, and the daughter brings her parents together.
There are lyrical paragraphs. In the end, the director cut a scene where Malena and her mother and daughter were in the same space.
Suddenly, she felt that Malena's growth and redemption were all out.
That's it. I felt that he played with the structure this time, which moved me very much.
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