Another Abbas film that was barely making any sense. Almost Crazy long shots, plump rice fields, old villages, little boy studying, dying old woman, woman selling tea, girl milking a cow, young man digging a well, confusing phone And the host on the other end of the phone, and a weird poem. There's no intersection, just the picture.
I'm a little embarrassed to say that, but you might even be thinking about the same thing that the whole movie can be fast-forwarded to. And then ignored. In fact, Abbas didn't tell you what the man came to the village for until the end. It sounds like there's always a fool between you and Abbas, doesn't it? Things It seems to have been happening but nothing has happened. Of course, another way of saying it is that things seem to have happened and have been happening all the time. Finally, when the photo of the funeral was taken, it was time for the man to leave, if he insisted Infiltrate what the whole movie tells you in the last part, then according to the Iranians, it is, "There is nothing more terrible than death, when you close your eyes, you will no longer be able to see the scenery of this world. ", I guess what he's trying to say is that when you give up witnessing a habitual death and start saving another seemingly trivial life, it often means that your life is finally starting to make a difference. People looked relieved.
What impressed me was the golden paddy field. In the film, it has always occupied most of the corners of the line of sight. When the wind passed, the rice waves began to be vivid on this land, far away. The only thing left is the roar of the distant motorcycle and the flying dust. Whenever this time, the picture becomes extraordinarily quiet. In fact, after thinking about it for a long time, I am still a little confused, but if I really want to use a very realistic approach and attitude To understand, to think, to try to see the coordinates of a little bit of behavior in this movie, I would think that would be a shame, because something like 'getting', I've found long ago that it's only about influence and not Realize. You know what I mean, no one can say better than the old man in the movie, "I know, if I'm useless to others, at least I get most of my life looking at the world" ,
I totally agree. Originally, your question is as difficult as the child's exam question about heaven and hell in the film. It begins when it takes root and ends, and this thing of life has no boundaries, no end, anywhere, any time, it is always Continuing in another form, as always.
"if u come to my house..."
what?
"oh kind one, bring me the lamp and a window throung the which i can watch the crowd in the happy street"
what?
nothing. it was a poem
do u know forough?
yes.
who is she?
gohan's daughter.
no. the one i'm talking about is a poet
"in my night, so brief, alas
the wind is about to meet the leaves"
do u understand that?
"the two are meeting
it's like when u went to see yossef
at the well"
at the well?
bravo.
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