Facing the sea, but not the spring flowers

Stefan 2022-04-13 09:01:07

When I saw the mother and daughter, they hurriedly tidy up their clothes, restrained their expressions, and sat upright when a guest arrived. I was thinking that it must be the same person as the writer of the 95th edition of Pride & Prejudice. After watching the interview later, it is really the same person. An old man, after 13 years, the old man's speech is not as neat as he used to be. Although he tried to break through, it was not on point. In the first lingering scene, I knew that it was impossible to watch another 95P&P classic implicit version, which is equivalent to the old man. He told his fans from the beginning that this time there would be no more eye stalemate ending with the only kiss. But not ambiguous and subtle, it is not so Austin.

This time the actors are younger (there are post-80s ones), but they really don't have those old faces that can hold back. When I look at it, I think of Ang Lee, Marianne should look like fat Wen, this time Elinor is okay, after all, it is too exaggerated to ask Emma T to play a 19-year-old girl, Edward's appearance is better than the inverted triangle eyes , As for Willoughby, I don't know what it should be like, but it definitely shouldn't be this thick eyebrows and swollen face. As for Colonel Brandon, Professor Snape will always be in my mind, but looking at the actor's appearance this time, I wondered why I didn't find colin firth to play.

Of course, it is produced by the BBC, the overall quality is still guaranteed, and the setting of the whole play is still excellent, especially the seaside cottage, which is the most real feeling of facing the sea.

So poets love to dream. Has anyone seen the seaside where the flowers are blooming in spring, either the scorching sun or the raging wind and waves. In contrast, I prefer the latter, there is nothing cooler than this, cold cool.

Remember what Marianne said when she grew up disillusioned: It's not what we say or feel make what we are, it's what we do, or what we fail to do.

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