But agreeing doesn't mean I like the fact that it is. I would prefer to see the writing of "From a man's love to a woman's love to a gay love song", Ismail began to make "love return to a simpler and more authentic face". The previous relationship is too chaotic, only one-to-one, selfishness that cannot tolerate others' intervention is love.
I don't really like this musical approach, the songs are okay, but some of them do feel abrupt when they pop up, or it's just me that feels weird.
I really like the music at the beginning, but unfortunately the original soundtrack seems to be full of songs, and this music does not appear, which is a pity.
In addition, what I don't understand is that the prelude to the Au parc sung by the heroine's sister Jenna is part of the theme music, and Au parc describes the life of the heroine's family and Jenna's confusion, so the theme does not count It's a departure...
I personally think the highlight of the whole film is the boy, and the part where Ismail and the boy are obsessed (not because I'm a fangirl--).
Ismail, Julie, and their colleague Alice's threesome is too chaotic. Everyone has their own minds and small abacus, which makes the love that could be very simple become complicated and muddy, and it is difficult to walk into a dead end. By the time it is sorted out, it will continue to be chaotic, and Julie's accidental death has become an antidote for the three to some extent.
However, Aiwang is a clear stream. His simple and fiery love can wash away Ismail's muddy memories. Ismail will eventually get rid of the entanglement with those women (of course, a large part of the reason is self-inflicted) , to devote himself to Aiwang's pure and natural love.
The end is very interesting. Ismail has been standing in front of Julie's tomb for a long time. He really wants to resist Aiwang's love for the last time. He thinks that he can belong to Julie forever, and Julie will always belong to him (even if she is dead), but along the way Whether it's "Brittany" or "Yes, It is Here", as well as the rainbow-colored "Cry Me A River", "Petit" (meaning a child, Ismail covered his face and left when he saw it, probably thinking of Ai Wang ^ ^)... These signs reminded him again and again that it was time to say goodbye to the past completely and meet the person who was waiting for him.
Alice played a big role at the critical moment. In fact, I feel that she is not only a bi, but also a fangirl.
Actually, I really want to say to Ismail, as he murmured in the kiss at the end - you can love the boy you got out of the love quagmire a little less, but please love him a little longer...
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