It's like a MV for Figaro's wedding. All the shots and the rapidly changing little plots are like a small concerto. No nonsense, every phrase is wonderful. Look, Russian clown, look, Gypsy, look, drinking bear. Fancy little portamentos followed by a silent, mischievous prelude to a climax where the general drank a watgar, another watgar, another. Haha, the revelry begins, the drunken general is dancing, becoming the happy focus of his sergeants, he sees Napoleon, the little dwarf, and he jumps on the stage to chase him - the music goes into a restrained, unbridled scorn part. There is another voice interspersed in the middle, pushing the music to the climax of the clamor and enthusiasm. Ten thousand people on the snow are wrestling and boxing, their noses are bruised and their faces are swollen and happy. Mozart, the mischievous Mozart is conducting this performance. Sometimes he even sneaks up and punches and then returns to his position. "Oh, oh. I'm late again, late again..."
Mozart Why is he always so happy? "Ot Boctopka". The film is said to be criticized for glorifying Russia, but what are you serious about a fairy tale? It is not without films that describe complexity, Mozart he should be so simple, mischievous, and always gleeful. What's more, Mozart in love, of course, has no brains.
One of Mikhalkov's photos is lying on the carpet. A classic scene in Mozart's biopic is that the kid is lying on the ground to catch beautiful women. Behind the serious expression of Mikhalkov, the old man is kneeling on the carpet. Still revealing his secret.
Figaro said that "love is the reason why the earth turns", so this film uses love as the main line. That's just for Mozart, not for Tolstoy who waxed the floor "surprise" and Jane who said generals were like Alexander the Great of Macedonia. Of course, there is nothing wrong with the love theme, and it is quite good, especially Jane carrying Poleyevsky's basket to visit the hapless Tolstoy lying in the hospital bed after the duel, and seeing Tolstoy's surprise and delight Virtue, as well as jane, a veteran who cares about things for a while, his name is like an old friend for a while, he is straight to the point, there is no reason at all, it is just terrible. And the marriage proposal, how original, ingenious and Russian, and a little bit of Hollywood. How aptly the old general chose the poem that proposed marriage: "Love is like measles, it only happens once in a lifetime, and the later it comes out, the sicker it gets." Everything else is reliable. For the general, he is also very ill. This female liar, Ho Ho, is also a Mozart.
Mozart was a great composer. Mirkhakoff is a great director. With his last film, which was not sent to any film festival, the old director wrote his favorite: Mozart, completely, from the outside: directly with his music, Figaro; to form: with the way of music Structuring the film, arranging the shots; to the content: the hero and heroine are both Mozart; to the emotions: what everyone understands as glorified elation and mischief, it is actually Mozart and Mikhalkov himself. He drew an end to his career, spilled shit in the big room of film history, left his own smell, and told history to remember his films forever, so that such a existence as himself will never be forgotten.
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