This kind of group-like movie is just as easy as the platter-style "Paris, I Love You". The director thinks that with a lot of material, he can carry out a grand narrative, and even the name is so awesome. Just like writing a thesis, it seems too grand to start, just put the outline in a column, chapters in a point, and materials together, and it comes out. Really writing a stream of consciousness is hard.
Watching such a movie, you never know when he will end, he doesn't have to give each character an explanation, ask the director, he will just shrug and tell you: C'est la vie.
Perhaps the uniqueness of this film is that the heartbroken hero can wear a pair of "red-green color blind" glasses to see Paris. Of course, the world is not upended, and neither is Paris. Paris is still hopelessly romantic. However, it turns out that the Cameroonian stowaways also have love with the catwalk model who looks like Kate Moss, the uncle of the vegetable market also has the last persistence and loyalty, and the beautiful female student who is also crazy may really fall in love with the harassing text message to her.” Perverted" history teacher. .
Please don't be surprised to hear Binoche's rude words in the title sequence. This time, she is no longer a melancholy musician or a chocolate angel. She really wants to play a cherishing younger brother who lives in the bottom of society, but is a single parent who is awkward at expressing herself. Mom - single parent again, why doesn't she have a husband in every movie? Maybe any man standing beside her is abrupt. I just think that at the end of this film, Binoche has become that mysterious, but gentle woman, who is still her.
Aunt Binoche from the library has her curly hair permed and a new pink shirt, which looks good.
I think I will miss her.
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