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how can i make you understand
Chaz 2022-03-25 09:01:15
Lack of communication is the reason for the estrangement between people. When the already poor and easily misunderstood language is no longer trusted, or even abandoned, perhaps body language is a better way. So at the end Glaudia hesitated and finally reached out and stroked the crying Sandro's hair as a gesture of forgiveness and comfort, zoomed out, the standing woman stroking the sitting man with her mother's hand, with her back to us, looking at the unfocused in the distance Desolate, just like their love, impulsive, guilty, repeating the same mistakes, helpless, helpless, the music also pushes this uneasiness to a climax, echoing the scenes that appeared on the edge of the cliff countless times before as if they were about to fall. The precariousness of the spiritual world is more prominent against the extremely solid material foundation of the upper class. Between lovers, between fathers and daughters, when serious communication is required, they are all closed. The only thing I can talk about is the complaint with my friends, but it is too roundabout and the message is not fully conveyed, and the misunderstanding is deepening. But when we reflect as viewers whether direct communication can solve the problem, we still don’t get a definitive answer, because emotions influence the direction of the conversation and open hearts are closed again. There are many obstacles on the road of communication. People, even the closest people, are like high walls. Inside the walls are broken walls, or isolated islands. Broken waves.
Extended Reading
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Deontae 2022-03-23 09:02:48
1. I felt that the rhythm was a bit slow in the second brush. This is a disadvantage. I once brushed it because of the Cannes poster. 2. Space is something to be seen on the big screen. 3. A little bit of Hitchcock, yet Anna never appears again in the story to lead us to ponder what the real inner theme is, which makes it Antonioni, a personal opinion.
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Virgie 2022-03-27 09:01:14
The 9.6/10.0 trilogy, compared to the later work, added a lot of soundtracks to enhance the atmosphere, but continued its flat and soothing rhythm and time characteristics; the cold shots did not calm down for a long time, and it did not weaken Antonio. Nikki's representative, layered, and delicate composition creates a spatial effect brought by a geometrically beautiful picture. Combining the two, the emotions of the audience in the theater are easily brought into the characters and situations by Antonioni (although most of the people in the whole big bright cinema are sleeping), and he himself is still in a spectator. In the middle of the hall, he spoke eloquently. I thought that the ending would be the same as the later work, tending to distance and nothingness in silence; but in the handling of the close-up, everything has a temperature, and the Antonioni-style "coldness" is sublimated here. The slightly unattractive content is Antonioni's stubbornness, but in the constant blank processing, the modern humanistic and moral crisis and spiritual emptiness that can be extended to the whole human being, which are obscured and turbulent: This is where authorship comes from.
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Claudia: To think that you must have told Anna these same things--I don't know, how many times.
Sandro: Let's say I did. I was as earnest with her as I am now with you.
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Sandro: I've never met a woman like you who needs to see everything clearly.