Also appreciate is to put some details of the original background into the foreground. The three men, Williby, Brandon and Edward are all good looking. I like beautiful patterns, and I am very satisfied with it.
My favorite is Edward's later visit to the seaside hut. He was so bored that he could only chop wood. Elinor stood there holding a silk scarf and didn't speak for a long time. There are several places in this movie that show the kind of tension between two people, nothing I can speak of, and the tension between the two is very well handled. Later, the family sent Edward on the horse, and took a last look at Elinor. The "rare serenity" on her face was a classic, reminiscent of the story in The Book of Golden Locks, when Chang'an sent it out to Shifang, "That person returned the gift from afar, I turned back and walked away... There are not many memories, which will be stored in a crystal bottle in the future."
Later, I misunderstood that Edward was married. Two details: Elinor was sketching on the beach alone, and he went to the pier to buy fish. These were the details when the two first met, but now she is alone. A person is also a person, she is quiet.
Elinor's mother was worried because the daughter didn't talk much. But Elinor said, I am fine. I am perfectly contented. She really is. The
new version of Sense and Sensibility knows more about what Austen really wants to say than the Ang Lee version. Love is not ultimately acquired or possessed, but It is to discover that I can fall in love with a person, make him happy, and make concessions for him. This feeling is enough to satisfy.
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