Paris, je t'aime

Dayana 2022-03-23 09:02:20

There is no need to pile up too many words, quotes or expressions. What is more important is the blank imagination space after the image, which allows you to fill in freely and romantically. The film is filled with the style of Paris. The short 18 clips make people feel The illusion is really in the city, and feel these distant and intimate, insignificant but romantic stories. Paris, I love you! The

beauty, mood, and ambiguity are all brewing in this flashy and unreal artificial paradise. This story is like a stream of small streams passing by, but it does not collide and excite, there is ambiguity of looking at each other but no dramatic conflict. The beauty of Paris flows out slowly, and finally I feel the wonderful taste of the warmth in my heart.

gus van sant's gay themes are always so comfortable, including the actors he picked, always so youthful, white and clean, fresh and tight, just like ozon, they all seem to have a kind of worship for youth. , youthful skin, youthful emotions, and lust for love, all of which are already so tempting in themselves, with the right performance of genius, like a tickling wind, stirring people's hearts. The two young people met in the studio, and the eager confession of the French youth did not seem to impress the silent boy. It turned out that he did not know French, but he still felt the fiery love and crossed the language barrier. Eye contact and small physical movements made them discover each other, and it is most suitable to use gay to express this emotion beyond language. However, the opposite sex always starts with verbal communication, while gay mostly relies on the first impression. More ambiguous and enchanting.

The woman in the Assayas film is like jake gallenhaal's sister, looks like kirsten dunst, but more elegant.

Tom Tykwer's short film is like Lola running fast, still chance, time, change, possibility, love under acceleration, Natalie Portman is always so perfect...

The story of the clown is the most touching in my opinion, especially at the end, when the child encounters difficulties, they still show the child the smiling face controlled by the hand and the optimism in the mediocre. The director of Crazy Dates Mirador is Sylvain Chomet. How does one get out of loneliness? Find someone who is as lonely as you~

Elijah Wood is so much better in this film than before, she somehow looks a bit like our handsome Wentworth miller, it's amazing, vampire love story, that female ghost looks exactly like a manson Simply, the color of the plasma is beautiful, the bright red is unnatural, and the thick is different from the bright red of scarlet. A bit of a sin city image, the feelings between vampires are indeed deeper, and they need to be expressed by biting. How sexy, human beings are much worse~

Stop in Paris, shouting I love you, this is the main ambassador of the film. Just like the last paragraph of the mother's experience of the child's growth according to the family letter, it not only extends the embodiment of the charm of Paris, but also extends the longing and admiration for the bright future of modern Paris. Just like the wonderful meeting of people in the story in the beautiful capital of Paris, everything is full of beauty and warmth. This is how people live, living in civilization, living in society, living in self, and living in cities. Paris, on the other hand, brings people the expectation of survival and the necessary warmth. One city, one mood.

Paris, always reveals a subtle ambiguous and a strange yearning.

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Extended Reading

Paris, je t'aime quotes

  • Gaspard: [in French] Haven't we met? I'm sure I know you. Where do you live? I'm in the 17th. Maybe I've seen you around. You don't talk much. I'm not sure, but... I feel like I've seen you before. You look like a mystical guy. Really, you have a very special aura. You believe in spirits? I'm way into that stuff. Maybe we met in a past lifetime.

    Elie: [in French] Light?

    Gaspard: [in French] A light.

    [lights his cigarette]

    Elie: Merci.

    Gaspard: It's amazing. As soon as I saw you, I needed to talk. It's like... I don't know. A strong, weird feeling. I thought, if I don't talk to you before I go, I'd be missing out on... something... important. Beautiful. You work in a beautiful place. I didn't want to miss the chance to talk to you. It's dumb, but... Never mind. May I?

    [sits down]

    Gaspard: You believe in soul mates? Finding your other half? You like jazz? Charlie Parker... and Kurt Cobain. I love him! Whatever. Here's my number. I'd really like to talk with you, if you call me, more seriously and... for longer, especially.

    [leaves]

    Printer: [in French] What's up?

    Elie: I'm not sure, Christian. He gave me this.

    Printer: [in French] A phone number?

    Elie: I don't know what he was saying. I don't speak French that well. He used a lot of phrases that aren't in my phrase book.

    Printer: [in French] Call him and see.

    Elie: [takes off running]

  • Ana: [singing in Spanish to Bourgeoisie's baby] Pretty little hands that I have how pretty and how white that God gave me. Pretty little eyes that I have how pretty and black that God gave me. Pretty little mouth that I have how pretty and red that God gave me. Pretty little feet that I have how pretty and chubby that God gave me...