Whenever I come into contact with Hitchcock, he is always led by the nose, and the jumping emotions are too late to understand and deepen in time.
Whether there are always two women in a man's life symbolically, one is the ideal perfect woman, and the other is kind and amiable to accompany him to live. In short, one is for viewing only and one is for taking home. The man who marries the first kind of woman is for face, and the man who marries the second kind of woman is to live.
When I started watching this film, it reminded me of Fei Yunfan and Ziling in Qiong Yao's "One Curtain Dream", the age relationship between uncles and sisters, and I like to cherish the purity and beauty of Ziling. And girls like Lu Ping are like crystal dolls, they can only be seen but not touched.
The entire manor was shrouded in the dark shadow of the dead, and even hatred and disdain could be seen in the eyes of the housekeeper. I thought it was a girl fighting for her lover, pulling him away from painful memories of the past. I thought it was a girl struggling to gain the recognition and acceptance of those around her. Originally thought -
it turned out that he never loved his early stage, it turned out that he even wanted to kill his ex-wife to save his reputation, it turned out that the wife had a terminal illness. Is she provoking humanity and laughing at men?
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