The whole film is partially real, the whole is absurd, and there are some extremely unreal feelings. Just like driving, it was normal at the beginning, but suddenly the car drove into a future highway, made a big 360-degree turn, entered the kingdom of the Lord of the Rings, and returned to reality after a lot of hype. Clouds and mountains can't be touched by the fog. Some people actually say that such a feature is "challenging the audience's habit of watching movies", "The Coen brothers successfully teased the audience", it is really a thousand flowers and a thousand eyes, and Dong Shi can also be said to be a fairy.
There are also people who say black humor, say sarcasm, and even describe the Coen brothers as what kind of masters they are.
It's not hard to understand the story of a writer's journey through Hollywood. In the process, he has seen a series of Hollywood characteristics: there are big bosses who are selfish and self-serving; there are flattering directors; there are also "Jiang Lang" writers who are exhausted of inspiration and drown their sorrows with wine Wait, none of this is a problem. The question is why must this new guy named Funk have a murderer neighbor? Why is Fink suddenly involved in a murder case? The neighbor gave Funk an inexplicable box, what's the use? Why does all of this have only one point, and that is, does all the horror of this spooky hotel have anything to do with the theme of this film?
Someone explicitly said that was the subject of satire, well, so what does killing have to do with satire? Was it to show Funk's cowardice, self-deception, stupidity? This explanation is too far-fetched. If such graffiti can be called a master, isn't the illogical and random creation of a child a genius show?
When the emperor becomes the emperor, there will be fewer and fewer people who tell the truth, and more and more people will tell lies, and his "new clothes" will naturally become unparalleled in the world. 's baby.
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