which includes the reader's radical classmate (as Richthofen's brother) and Ralph Fiennes' brother Joseph Fiennes (as the Canadian pilot). In the film, von Richterhofen is interpreted as a tall, handsome, chivalrous and benevolent hero, while his younger brother is a militaristic radical. This is the exact opposite of reality. The real von Richterhofen loves killing and killing animals, while his younger brother is tall and handsome. The von Richthofen in the film is full of the excellent human qualities of many fighting heroes. The choreographer once again made the "hero" perfect and deified, like propaganda in war. The choreographer also set up an excellent Jewish pilot as a tribute to a large number of excellent Jewish pilots in World War I. In the film, von Richthofen's girlfriend is an anti-war nurse, and she helps von Richthofen realize that war is not just about "fighting planes, not sniping pilots" and fighting for the love of flying. Indifference - War is cruel. But von Richterhofen still loves flying, although only his close comrades and him know each other.
This film is the first war-themed film in Germany in the post-war years. Although the director also expressed anti-war through many details, this perfect propaganda is a double-edged sword, which can arouse people's nostalgia for chivalry and Yearning can also make people unconsciously worry about the rise of militarism, just like the king in the film uses heroes to inspire battle. What's more, the film conveys the feeling of anti-war is so soft.
The Red Baron killed 80 aircraft in his short 25-year-old life, and was hailed by the Allies as the legendary Red Baron for flying a red biplane/triplane and his hereditary baronial status. After watching the movie, I think of "Flying Red Pig" by Mr. Gong. The protagonist is named Polgo, who also drives a red fighter. It happens that von Richthofen's idol is called Polk, the legendary pilot before von Richthofen.
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