the weirdness of David Lynch. There is really no need to explain the genius of David Lynch.
David always uses movie montages to describe his character's behavior, but he never interprets it. There are many logical traps in it. David is more like the master of a labyrinth, taking people into a high-speed blurred track, only from the Only those who learn a few points can enjoy the happiness of a few straight lines, but those who interpret them thoroughly are trapped in a fog of thorns and thorns. In fact, each of us has similar dreams, scary, broken, and who would seek logic in dreams. Enjoying the dream house is the essence of escape.
"Desolate Trail of Monster Night" seems to be a story and a movie, but in fact it contains many stories, like a time converter, and also like a space displacement system, everything is so vague, so real. It seems like a dream is not a dream, and it seems that it is not real...
There is a feeling of Raphael's stream of consciousness, a kind of consciousness is conveyed in the painting, and the meaning of the painting is already outside the painting. The same is true of the film, when viewed as a whole, you will find Raphael's shadow. And spiritually, there is a feeling of being spurned by philosophers, which makes you inadvertently think of the great Freud, and also think of the spiritual theory he admired. Conceptually, reality and fantasy are combined, and the middle boundary is sometimes blurred, and sometimes it seems clear and then more blurred. Yes, it gives people the feeling that the fantasy is brought into reality, the reality is illusory, or there is no reality at all, it is all just a dream , and the boundary in the middle, I believe that the master himself, and even everyone who sees his works, do not know when the boundary will appear and when it will disappear.
I don't think the plot of the film can be retold at all. It quickly cuts from one plot to another, from one story to another, and the different male protagonists are subtly connected at the end. When it seems like two stories, this one. Interesting transformation, and let you continue to be obsessed with a story.
Not only the plot can make people dizzy, but the footage makes people linger on the edge of depression and release after watching it, just like, near the end, the scene of the hero and heroine making love in the desert, the sky is full of wind and sand, and the notes in the ears are melancholy. And helpless talk, the light suddenly brightest, to a vertex, as if emanating from the heroine. The camera is always far away, and sometimes it is near, making people wander in the real situation in the film...
It was not until the end of the film that I suddenly realized that the story of more than two hours was originated from the first introduction. The end of the film, the cause of all the story of the film, is a new beginning. There are subtle cause and effect, and people can't figure it out, it seems that there is only "cause" and no "effect". It makes you want to go deeper and watch this film. When you look back and watch some plots again, you are suddenly at a loss for words. In fact, the cause and effect in it are mutual.
The erratic, ghost-like guy in the film, is that "fruit"?
Right now, I am really in an embarrassing squared state. I sigh with emotion, but I suffer from the imprisonment of my own words.
It feels like I'm watching David Lynch play a game, a game of causality, and a game that seems to be reincarnation and non-reincarnation... and you and I watching the film are just David's audience puppets , you just need to sit there and watch, your mind is blank or you can do whatever you want, you can get what you want and satisfy yourself, like because he just needs us to sit in the grid and watch it.
You see, David's game is about to begin again!
There is no end, there is only a beginning; there is no beginning, it is already over.
Just a constant cycle, cycle, cycle --
time is a year? Time is the length of the film? The time is only the first 5 minutes of this film?
Even if you watch it for a lifetime, you won't be able to finish it! Wrong, wrong, in fact, you only need to put this film in for 5 minutes, then STOP, because it has been played for a long time!
Ending a film earlier than it started is not necessarily a flashback.
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