Wild Man: Shane

Laurianne 2022-03-22 09:02:21

A few years ago, I watched the introduction of "Shane" in the "100 Classics of the American Film Institute" documentary. I was very impressed with the little boy with blond hair in the film. He has a round face and round eyes. He is very cute. The image of a simple western child, and such a beautiful golden-brown skin. Later, I stumbled upon a web page that I watched online, and I finally finished reading it. Although it was a little different from the expectations in my heart, the overall feeling was still very good.

This is a man's play. The introduction of the website overemphasized the delicate relationship between the hero Shane and the hostess of the house where he was staying. I think it was to increase the selling point. In fact, there are very few scenes involving this point in the film. The feeling of this film is very similar to "Deer Garden Changchun", which I have written before; it is also a story of pioneers, but this time it is not about the struggle between people and the harsh natural environment, but about the struggle for land and the A contest between men. For me, a female audience, it is inevitable to feel dull, only the spirit of the film will remain in my heart.

Shane's sudden appearance and sudden disappearance are the embodiment of the uninhibited character of a western wanderer who is home to all over the world, and it is a symbol. Like a gust of wind that comes and goes inadvertently, leaving no trace. In young Joey's mind, Shane is a hero, a protector, and a role model he single-mindedly wants to be and emulate. This is actually quite a deep work.

How different are the "fraternities" in the area where Joe's family lives, who fight for land and rights, while Shane fights only for glory. This is especially true in the climax of the ending. Shane knocked out Joe, who was about to fight to the death, and took out the Derek gang in his place. That thrilling shootout aside, maybe "a fight for glory" is for homeless men, not tied husbands like Joe.

The hostess, Joey's mother, Marian, is a shadowy figure who never fully shows her face. After thinking about it carefully, she must be an insecure wife, because the life of the pioneers made her have to worry about it from time to time. This is somewhat similar to the mother Ole in "Deer Garden Changchun", the difference may only be that Marianne has not suffered the pain of bereavement like Ole, so she can't see the numbness and coldness on her face. Her spiritual attachment to Shane is also a thirst for a sense of security.

I always feel that Shane's performance is not too deep, and sometimes I appreciate "Joe"'s acting skills. It was Jane Arthur who played Marianne! It's been 15 years since the 38-year-old "Floating Like a Dream", and I really don't look old; but I still miss Alice's cuteness and aura back then. Female characters will always be the foil in this kind of play.

I searched for some classic dialogues that Shane said in the film. In my heart, they brought me a lot more aftertaste than the film itself.

View more about Shane reviews

Extended Reading

Shane quotes

  • Shane: I came to get your offer, Ryker.

    Rufus Ryker: I'm not dealing with you. Where's Starrett?

    Shane: You're dealing with me, Ryker.

    Rufus Ryker: I got no quarrel with you, Shane. You walk out now and no hard feelings.

    Shane: What's your offer, Ryker?

    Rufus Ryker: To you, not a thing!

    Shane: That's too bad.

    Rufus Ryker: Too bad?

    Shane: Yeah, you've lived too long. Your kind of days are over.

    Rufus Ryker: My days! What about yours, gunfighter?

    Shane: The difference is I know it.

    Rufus Ryker: All right. So we'll all turn in our six-guns to the bartender. We'll all start hoeing spuds. Is that it?

    Shane: Not quite yet.

  • Joe Starrett: If this don't beat all. My name is Starrett, Joe Starrett, and, um, this here is Joey. You heard what my little woman said. Come on in, please. I-I feel like eatin'.

    Shane: Call me Shane.

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