The people of that country in Eastern Europe, who have been suffering from tears and torture for many years, have a similar experience with the people in the land where we live, so watching their films also feel like they are very kind. However, there is a big gap between the characters of the two ethnic groups. I will insist on expressing my admiration for those Yugoslav people who are enthusiastic, bold, big bowls, big bowls, big pieces of meat, and happy and sincere Yugoslav people who appear in the film.
The anti-war film directed by the Yugoslav director won the Palme d'Or at the Cannes Film Festival in France in 1995. Interestingly, the director was once expelled from the Yugoslav government because of this film and went into exile in France. While suffering from nostalgia, he was honored and respected in the European film industry.
Personally, I am very, very fascinated by the kind of desperate hysteria in the movie that sings and dances and laughs. I just saw this movie once, six or seven years ago. But looking back now, the feeling of watching a movie like drinking hard liquor is so clear that you can feel it when you close your eyes... "Underground" is the craziest movie I've ever seen. The music never stopped from beginning to end, and people never froze from crying to laughing to the end. From the very beginning of the movie, the scene was a climax. The animals in the zoo were in turmoil and ran into the street. An amazing start to a movie. Then the climax goes all the way up to the last shot. Then a line of words is typed on the screen. The movie is over. Two or three hours of the movie, you may have been laughing and surprised for the first two or three hours, and at the end of the movie, the final subtitles will rise, and you may have a burst of desolation and sadness from the bottom of your heart, and then you will find that you don’t know when His face was full of tears. Before this, I had never seen an anti-war film as crazy and weird as this one, with strong magical realism. The entire film spanned more than 40 years from World War II to the Bosnian Serbian War in the 1990s. The people from the underground climbed to the shore of reality, and the carved railings and jade bricks should still be there, but Zhu Yan changed them. Twenty years and twenty years of youth are spent in the basement where there is no sunlight. cry? carnival? mourning? Shooting a movie? Smiles, peace, and utopian fantasies are all just ashes in the smoke of gunpowder. Similar things are like the subtitle arranged by the director at the end of the film: this kind of story will never end.
I think this film is an anomaly no matter what category it falls into.
"Once upon a time there was a country whose name was Yugoslavia..."
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