the north is a barbaric, predatory, uncultured, and ugly (refer to the people who work under him). role casting), the military invaders
correspond to
the traditional society in the south as a civilized, peace-loving, literate, handsome, and idyllic.
This makes you think, I said there is something similar to "Gone with the Wind" The intertextuality between ” is definitely nonsense, and it goes back to the East and its imaginary interior, which is more or less an internal Orientalist perspective. With Zhou Yu, Xiao Qiao and Zhuge Liang as the center of the narrative, Chibi is proficient in all kinds of handsomeness, knowledge, tea art, piano art, swordsmanship, and all six arts in the film. . By examining the obvious revisions to history here, the history of Jiangnan, which was the land of barbarians, in the Three Kingdoms period was revised into the history of the south, which is the hometown of Hong Kong and Taiwan culture in modern times. Those who are good can research when the tea ceremony emerged and spread. Anyway, I know that only Taiwanese people know how to taste tea now. . .
At the same time, Cao Cao is the final boss in a computer game. It basically has the opposite characteristics. What is interesting is that the most successful war chess game of Guangrong Company is called "The Legend of Cao Cao". I was also a fan of it back then. Cao Cao's various handsome, Zhuge Liang eventually became a devil. . . .
Needless to say about Liu Bei, Comrade You Yong accomplished Liu Bei's task of vulgarization very well. The "Han family clan" Liu Bei, who was originally at the center of the narrative of "Romance of the Three Kingdoms", has completely become a foil this time, and has been completely foiled by a "credible". "It's humorous, but Zhuge Liang is the only one who has the same status as Zhou Yu as a southerner (in fact, his footprint is Lang Ya), but he is still a little worse than Zhou Yu. This is also a rewriting of Romance. The "little man" became a "big man with great wisdom and courage".
The most interesting thing is that from the perspective of the audience, the new middle class in mainland China is very comfortable with this rewrite. The north (except Beijing) has accepted the expression of the south as the cultural hometown, and the composition of this cultural hometown is like this. : Chinese traditional culture, Hong Kong and Taiwan lifestyles and language (with Japanese expressions), Japanese animation and games, Hollywood values and narrative. So Chibi succeeded because it successfully collaged the above elements. This success is a victory for the South, and it is intrinsically linked to the growth experience of the new middle class in mainland cities without a sense of history.
Thinking of the northern martial artist played by Fan Shaohuang in Ye Wen, and Ye Wen's "elegant" way of life, the north and its associated red China are stepping out, and a new "North as the South" is being reconfirmed in the field of power and culture .
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