In fact, there have been a lot of films depicting the independence of women's love in recent years. From the first Sex and City, to Desperate Housewives, from the description of lesbian The L World, to the recent tepid Lipstick Jungle, it seems that women's independent view of love has been It is not limited to the stars of the small Beverly Hills, but there are many trends that cross the ocean and sweep the latest fashion elements. Inadvertently sweeping some European and American fashion TV recently, some so-called fashion experts have predicted that 2009 will be the world of Lala, soft drugs and rock'n'roll. Speechless, female friends are no longer the problem of half the sky, but gradually encroaching on this part of the space that belongs to men.
Recalling our eternal proletarian mentor, Engels, in his very interesting book "The Origin of the Family, Private Property and the State", raised this question of the origin of women's social status, which he believed was due to the development of agriculture and industry , making production more efficient, and also enabling men who originally worked outdoors in the gender division of labor to be controlled, thereby accumulating production resources, and production generating surplus, which also led to the creation of private property, and men in order to allow private property It can be inherited, and the original matrilineal society is gradually replaced by the patrilineal society.
The reason why I quote the above classic theory is mainly to explain that the establishment of women's social status is not something that can be changed by women's own wishes, but is set by their biological characteristics and their social roles, and is caused by the objective external environment. It is not something that can be changed by subjective will. This new film of returning to Tianjie is really good. It is interspersed with many funny plots. There is almost no male character in the whole film, but the influence of males has become the main color of the interspersed film all the time. What I am most interested in is the very penetrating portrayal of women's characters, and the gibberish of the sister group is also very typical.
But the end of the play is also very funny. The final result of this so-called feminist film is nothing more than to illustrate the control and influence of men over society. No matter how confident, capable, and strong women are, they will eventually be unable to escape the Wuzhishan of men. . Love and fertility are always the ultimate goals of a woman's life.
In general, the film is not as good as Sleepless in Seattle, and Sister Sweet hopes that it will take more effort to turn around with this film.
After writing so much, I also recommend some of my friends to read it, especially Xing'er, I'm talking about you.
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