Don't give up hope even if the ending is helpless

Jamir 2022-03-22 09:02:59

I don't know why Keith chose to extend two of the Ten Commandments into an hour-and-a-half film version.
Is the extended version the director's intention? In order to shorten the version of the Ten Commandments to an hour?
Or did you think of two versions from the beginning?

This is just my guess: The Ten Commandments are precepts, and although the theme is human nature, they choose to be "ruthless" in expression. The extension, whether it is a love short film or this murder short film, has added more warmth and human affection.

Even so, watching this film still requires considerable psychological endurance, and the darkness and ruthlessness are pressing to the bottom of my heart.

Two reviews are recommended, and I agree with the author's point of view. In my words, I know I can't express myself better. Just like the love short film, dig out the difference between the long and short versions.

First is the hue. Most of the Ten Commandments version are cold green and dark yellow, and the extended version uses yellow or even a little red, which is much warmer than the Ten Commandments.

The second point is the performance of the lawyer. The Ten Commandments version begins with a self-talk from a lawyer, more like Keith's monologue:
"The law should not follow nature, but improve it. We and our way of life are the result of the operation of the law, whether we obey it or violate it, a human being is free, and his liberty is within the bounds of his liberty not to injure the liberty of another. Punishment, punishment is a form of revenge, especially when it When the intention is to harm criminals rather than prevent crimes, but the current law can be vindictive, is it really for the sake of innocent people? Is the legislator really innocent?"
This passage was deleted in the extended version Lost. Keith no longer directly criticizes the law in this way, which can also be seen from another detail. When the lawyer answered "Why did you choose to be a lawyer?", the lawyer in the Ten Commandments version was full of confidence to change the mistakes in the current huge system, and the lawyer in the extended version said, "I don't know, this is very attractive to me, you can watch it. To all kinds of people and things." Keith is not interested in politics, he is concerned with people's lives in a specific political environment.
The ending is more obvious. In the Ten Commandments version, the lawyer cried and shouted, "I hate you! I hate you!" with anger and sadness on his face. In the extended version, the lawyer held the car window and burst into tears without saying a word.

Finally, some details are added. Aside from the insinuation that the dead mouse and the dead cat are two murders in the title, the rest of the scene is more tender: the lawyer and his girlfriend celebrate his hiring, they chat in a cafe, and Jack drives the car after killing people. That girl... all of these dilute the grim and gloomy atmosphere a little, and at the same time enrich the incredible connection between these characters. Human connections are completely unpredictable and unexplainable...

The "light of hope" at the end of the extended edition is brighter and more persistent.
Even if the ending is helpless, don't give up hope.

A sentence in the film introduction is the best proof: "The year after this film was born, Poland announced a five-year moratorium on executions."

View more about A Short Film About Killing reviews

Extended Reading
  • Alexandrine 2022-04-21 09:03:46

    9 The criminal (the person to be executed), the victim, and the lawyer are woven in three lines, and the first two thirds are murdered and the second third are executed. The low-key and high-contrast light effect is used with colored lenses to form a deep and complex image that cannot escape the control of black. Black refers to the hopeless loneliness of life, the blockage of the way out and the desolation of life. The faint light also has symbolic meaning (including cars and cars). a gleam of light that swept across the rope in his hand). From Jean-Agen-style crimes to male and female robbers, Kieslowski left an atmosphere of despair and despair in the modern life of the 1980s. Whether it is a murder without warning or strict and meticulous law enforcement, it can not be used in meaninglessness. The late night of the discipline set off a wave of waves. The detailed description of Jack is light and thorough, fatherless, guiltless, and the girl's image of a brother's dear, attached mother (hometown), which makes it possible for him to rob the driver in exchange for excitement and happiness. Keith uses action/cinematic acting and psychological tendencies to structure stories and schedule scenes. In the lawyer's attention and inner entanglement, it can be seen that Polish society killed the two.

  • Mona 2022-03-26 09:01:14

    Filters, photography, soundtracks, and contemplation of death, the perpetrators are also victims, whether the law is just, and whether death can be redeemed. When people face evil and crime, and face the dilemma of civilization, how should we question life and death? Keith builds religious meditation and fatalistic death in the film, as if to question human civilization and law.

A Short Film About Killing quotes

  • Jacek Lazar: I didn't listen in court, not until you called to me. They were all... all against me.

    Piotr Balicki: Against what you did.

    Jacek Lazar: Same thing...

  • Piotr: So you want me to see your mother.

    Jacek: Yes, to ask her to bury me next to my father. Can I be buried in a cemetery?

    Piotr: Yes.

    Jacek: The priest they sent said I could.

    Piotr: Naturally.

    Jacek: Next to my father is another plot. It was supposed to be for my mother. Ask her to let me have it.