let's talk about the picture first. When Ke Jin is now pursuing the use of HIGH-TECH to stimulate the visual senses, or to delight the audience with many unique natural scenes, he never thought that the film ten years ago could be shot with the simplest method and the simplest scene. such a wonderful feeling. The house under the sun, the old man, the lawn, the old-fashioned car... It is real but like a fairy tale realm, and it is a very comfortable feeling to look at.
Speaking of music. The story of the old man, but with very playful and lively music, jumping notes, can really be described like this! The stubborn old lady, the kind old driver, and the lovely elements in the characters of the two old men are all well interpreted by the music, which also makes the unpleasant friction less depressing and more brisk~~~
Storyline Well, the time span is so long (25 years), there are no ups and downs and ups and downs. The one-and-a-half hour film tells the audience the progress of the friendship between the two elders like a family, but it does not make people feel procrastination and boring. Now think that such a film without love, blood, heroism, and commercial gimmicks can be named Oscar, and it is really incredible to be talked about.
In the performances of the actors, there are two big and powerful veteran actors in the play, so naturally there is no need to be picky. Jessica Tandy won the gold medal at the age of 80, not by qualifications but by strength; Morgn Freeman is also a typical late bloomer, and the film can be regarded as his famous work. He made Hoke live!
It is this movie that tells about a friendship, and the friendship of the elderly is more pure and warm. What's even more difficult is that this is a friendship that crosses the boundaries of race and identity, a friendship that overcomes personality barriers, and a friendship that can stand the test of time... When two people's friendship can go through all of the above, then in the end. Condensed out is only the most beautiful essence of friendship.
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