This is a film that you can watch from the beginning to the end, because it is not about plot, but about feeling. So the closer to the real life acting skills and the language of the real scene are very important, coupled with the delicateness of the female director, such as the red pillow.
And the point I want to say is, why the rave reviews? Attention everyone, this is the United States, and few people are willing to touch on the topic of supporting the elderly, because it is a heart disease for everyone and every family, and most importantly, it is not interesting at all. And the ending is not good.
However, the more we touch the things in real life that we ignore and avoid, doesn't it make our sensitive hearts more stimulated?
This film tells an authentic American story in a way that is not Hollywood at all and not American at all, so it has taught Americans a lesson. In other words, even in China, if the role of the elderly in maintaining the family is a social issue, the Chinese would not have such a reaction to it as the Americans. One of them is commonplace, and the Chinese people's fancy to the status of the elderly in the traditional family (regardless of the factors of the declining world) also prevent the Chinese from being more stimulated.
In other words, if the judges of this Oscar are from China, then the topicality of the film itself will not add points to the film.
The way to deal with the last years of an old man who is not very affectionate is the focus of this film. The helplessness and awakening of life are all in it. It is not exaggerated, not artificial, and the atmosphere is plain, and there is not even a sentence of sensational dialogue. It's a place I appreciate. JIM TAYLOR is estimated to have helped a lot and blew a lot of pillow wind.
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