The director's skill in the structure and color of the picture is partly due to Dali, and the beauty of several pictures can be described as "moving oil painting"! In my impression, Caesar in the desert, the five people on the isolated island, the elephant swimming across the sea (this picture feels that the director was even influenced by the photography master Gregory Colbert), a strange tree, the Red Hero swears and so on several scenes , and the same in THE CELL, they are all impressive!
In terms of story structure, the two main lines of reality and fairy tales are parallel and connected with each other. Reality affects the direction of fairy tales, and fairy tales eventually lead to the ending of reality. The cuteness of the little girl and the pessimism of the male protagonist all reflect the skills of the two actors, especially the Indian girl who is chubby. Although she is not very beautiful, she is very naughty and cute, and occasionally tells small lies , secretly something, simply come alive!
The director also handled a lot of originally sad plots very humorously, such as the hero who tricked the little girl into stealing morphine, because the last letter was recognized by the little girl as 3, and she threw out only 3 pieces left, making people Couldn't help but smile.
Each character in the fairy tale has a corresponding counterpart in reality. This is a fairy tale world completely in the eyes of children. Why didn't we equate the characters in fairy tales with those in reality when we were young?
In the end, adults let almost all the heroes in the fairy tale die. Such pessimism makes children suffer. The cruelty of reality is often unbearable for adults, but children pay more attention to the ups and downs of fairy tales. Children are obsessed with adults listening to stories, while adults are entangled in irritable life and cannot escape. The two are clinging to the same kind of sadness. In the story, outside the story, in life, outside life, all are false, and all are going away. .
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