In the second episode, as some of the history of room 10 was gradually revealed, combined with vague theories, it improved some visibility, but Joe still got the objects he needed all the way, and he had to sigh that the time was urgent and the task was urgent. The budget is not enough, and it only comes down that way, who makes this just a mini-drama.
The third episode until the end is actually quite ordinary, but in the end Joe is faced with a choice: kill the prime object to save Anna, but he will take over as the object, and everything about him in the real world will be erased - that is, retrieve it Lost Anna and lost her again. This is a choice similar to the four people in the mist splitting three bullets, and the finishing touch is the finishing touch. The results of it? He recognized him right away... well, maybe he didn't actually kill the guy. However, the next thing is too embarrassing: open the door, reset, find her daughter, come out, run away...
From the first second Anna disappeared, most people must have thought about this trick: you If you want to find your daughter, can you just disappear yourself? It can be understood that the three-episode long story is a good way to find the daughter, and the two can come back to live (it would be embarrassing for the father and daughter to be trapped in a different dimension) and to avoid random people in this house. Bugs in other dimensions (the father and daughter are trapped in different dimensions, which is more embarrassing - but it is much more interesting than the current ending).
Well, for the sake of strict reasoning, we can only export. The reason why we did this at the end was not because the screenwriter nc or cheated money, but because of this, Joe has inherited the ability of object. However, Ma Zi clearly still recognizes him, but there is no information about erasing him in the real world? Continuing to reason, that prime object lied, or frightened Joe or he didn't know it at all. In view of the fact that any of the characters that appeared before this play are too simple to create, everyone is just a dead thing to provide necessary information to promote the plot. I really doubt that the screenwriter will let the key characters show their humanity at a critical moment, fooling everyone. Soy sauce - the information said is worthless, it's fake.
To sum up, it is a good idea to design a set of history and theory around the alien space and those objects, which is still very attractive. The relationship between funds and space, the characters are dull, and the plot is less twists and turns, which is also understandable. The context of the story is relatively clear, but I don't know if it was originally designed to be the final, blunt and outrageous way to find my daughter? Last but not least, it's a pity that the predicament of save your girl but lose her was not handled properly. Is it because of lack of self-consciousness, so he chose to give up on this rare selling point.
It's not impossible for a suspense drama to have a happy ending these days, it's a bit technical anyway - watching a crowd drive away at the end, I wonder if it's the Harmony drama version of Radio and Television.
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