It can only be said that it is very sociological, because it tells me how the group of people living in that space lives, how to organize their lives, who issues orders, how to decide, who executes, who has the final say, where the money comes from, and where Where do they go, who doesn't want to obey, what are they going to do, what do these people desire, what are they happy, what are they tolerated, what are they worried about, what are they afraid of, and where are all these emotions bursting out and released? By the pond, on the abandoned land, in bars, nightclubs, or in that huge collective residence (cité, citadel), the layers are parallel, staggered, linked, and isolated, both open and closed, easy to overlook and easy to climb. Easy to spy on and easy to hide, where white powder trades and weddings can go hand in hand, and each is complete. That building is the aura of Gomorra, and under the strong field, I really can't see any failures, every glance can contribute to the flames, and every inadvertent noise seems to be true.
(I understand more and more after watching the film, why the schools here often group architecture, urban planning, etc. and sociology into one department.)
This film is absolutely male and absolutely violent, but there is absolutely no morbid rendering of blood. And just like Elephant, the shooting of the kid with the gun is so simple, so pure, so violent, so cool. Looking at them, I admit, and gladly admit that the desire for violence, as much as the desire for freedom, is one of the human states.
The music for the credits is absolutely fantastic.
As for whether the movie is real or not, we can only let the children who grew up in Cite decide the case.
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