Yes, I want to make, I want to make a blockbuster film. My method is very simple, try to bring some elements to the frame as close as possible. As long as these elements are present and obvious, the audience will recognize them. As for whether these elements are well integrated, it is completely unimportant to implement or play. In the era of consumerism, suppliers use the media to define, cultivate, provoke (and sometimes provoke) demand. The brief is as follows:
I need a bit of local, root-seeking elements. This is the most critical point. My props are mainly a group of indigenous people headed by an indigenous child and an indigenous old man. As screenwriters, we all know that some movie props are the screenwriter’s panacea, such as children, indigenous people, mental patients, and other mystic characters, because we can arrange their behavior at will, and no one can rely on introspection and experience. Come to challenge whether our random writing conforms to the logic of life and the consistency of reality. They can be like idiots or lunatics for a while, and then they can say some philosophical and enlightening things very connotatively, and they can even conduct psychological analysis on the spot (for example, you are afraid of giving up, afraid of losing). The role of mysticism, such as the old man's magic (he obviously can fly) can solve all the crises of the plot. This is true. I don't have to bother to run the script by the screenwriter. In order to strengthen this root-seeking element, I began to disguise the subjective narrative perspective of an indigenous child in the film. This perspective weakens or disappears later. Where does the audience care or perceive. In our bones, we are all white supremacists. For these indigenous people, we are adhering to the essentialist viewpoint, which is where TM comes from and where TM goes. After finishing the script, they will come and go, and they will surrender and assist the "good white people" to fight against the "bad white people" function. Of course, they will return to their wilds and disappear. No longer pollute our vision. In addition, in order to appear to be culturally diverse, I can also add a Chinese character. God knows what the Chinese are thinking, so let him be a silly silly count.
I need a simple black and white conflict between good and evil to run through the entire film. The audience is stupid. As long as they feel that the main plot and the main conflict exist, they will feel that the film is complete, and they will not consider how complete the other elements of the film are. So, in order to take care of the stupidity of the audience, I used the bad guy's dialogue to point out the bad guy's conspiracy at the beginning of the film. Later, I used indigenous children to jump out and expose it again. Use some more shots to give a hint. The main reason is that they didn't understand it. Here, my editor has worked hard. In order to keep this conflict between good and evil running through, my villain was ruthless when he killed the supporting role, and controlled the enemy with one move. However, for the protagonist, he has to twists and turns (such as water attack, fire attack), and he has to do both soft and hard, and negotiate repeatedly. The audience will not care about such obvious loopholes that are stupid at home.
I need a fairy tale and music theme. I chose the well-known movie The Wizard of Oz. I mixed it with a bit of American Western elements (bar melee, prodigal son loyalty, Guanshan Feidu), and mixed it with cold. I needed a sense of chaos, so I used a pearl harbor-like war scene (of course I saved a little money when I did it). I want a big cast, that is the tall girl who accumulates virtue and slowness. As an Australian, her ambition will not let her resign from acting in a movie with such a big title. These factors are like the ingredients poured on a pizza, as long as the audience sees the colorful, complete materials and steaming. In this era when fast food is popular, where do they have the ability to distinguish whether the seasoning of different pizzas is in place and whether they are good. I have to make the pizza bigger, and it takes two and a half hours to meet the wetness equivalent. So that our producer woke up and fell asleep after watching the sample, and after waking up again, he said eight words: It's really long, it can sell at any rate.
Of course, there is a certain happy ending. Lovers eventually get married, bad guys get retribution, dust returns to dust, dust returns to dust. Everyone on this earth knows it, ha ha. Sincerely,
salute!
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