watching movies naked

Talon 2022-03-22 09:02:05

Period dramas are another big favorite of Ang Lee, which also made me, an Ang Lee fan, have a certain concern for period dramas.
Then the visual theme of the film I guess is "embarrassment". The embarrassment of each protagonist's situation in the play stems from the embarrassment of social maintenance. In fact, this embarrassment has always existed in everyone's heart, but it is suppressed by social morality. Once the social maintenance collapses, this suppression will also erupt. However, people who are in this complex social transformation can only be alone, waiting for the storm to pass. Pain is the most suitable emotion. On the other hand, the pure young white boy who was cruising in the storm and was indifferent to all this could only be taken away by the god of death.
Ang Lee's narrative always gives people a feeling of "depression", which is the same from beginning to end. It is this pain of repression that makes those of us who are also repressed in a huge society with low morality fascinated.
In this extremely oppressive society, there are always some unexpected surprises that will show up. You didn't notice it at first, but when the green juice is sprayed on you, you are just as embarrassed. This is Li An's brilliant At this point, not only is embarrassment exposed, but every viewer must also be in this repression to release himself. What could be more interesting than this?
And maybe some viewers will think that Ang Lee is a bit cruel, but don't you realize that he always comforts you at the end, I personally don't like this kind of comfort, I don't think it's true. Because if you consider comfort from the real society, it is a symbol of death. But for God's sake, people accepted the comfort.
Anyway, I liked this movie

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Extended Reading

The Ice Storm quotes

  • Paul Hood: To find yourself in the negative zone, as the Fantastic Four often do, means all every day assumptions are inverted. Even the invisible girl herself becomes visible and so she loses the last semblance of her power. It seems to me that everyone exists partially on a negative zone level, some people more than others. In your life, it's kind of like you dip in and out of it, a place where things don't quite work out the way they should. But for some people, the negative zone tempts them. And they end up going in, going in all the way.

  • [first lines]

    Train Conductor: Good morning ladies and gentlemen. This train, originating from New York's Grand Central Station, is back in service. Next stop will be New Canaan, Connecticut. New Canaan, Connecticut next stop.

    Paul Hood: [narration] In issue 141 of the Fantastic Four, published in November, 1973, Reed Richards had to use his anti-matter weapon on his own son, who Aannihilus has turn into the Human Atom Bomb. It was a typical predicament for the Fantastic Four, because they weren't like other superheroes. They were more like a family. And the more power they had, the more harm they could do to each other without even knowing it. That was the meaning of the Fantastic Four: that a family is like your own personal anti-matter. Your family is the void you emerge from, and the place you return to when you die. And that's the paradox - the closer you're drawn back in, the deeper into the void you go.